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Chapters (44)
  1. COVER PAGE
  2. TITLE PAGE
  3. DEDICATION
  4. ACKNOWLEDGMENTS
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. CHAPTER 31
  36. CHAPTER 32
  37. CHAPTER 33
  38. CHAPTER 34
  39. CHAPTER 35
  40. ABOUT THE AUTHOR
  41. BOOKS BY JONATHAN KELLERMAN
  42. PREVIEW OF A COLD HEART
  43. DON'T MISS THESE THRILLING SUSPENSE NOVELS FROM JONATHAN KELLERMAN
  44. COPYRIGHT PAGE

Close up on a sign: LOS ANGELES COUNTY MENTAL HEALTH CENTER, WESTSIDE.

Swing back to a long shot: two small, dark-garbed figures crouched on opposite sides of the arch—toylike: G.I. Joe figurines holding rifles.

A side shot revealed police barriers fencing the street.

No sound other than static, but the dog's ears had perked and pitched forward.

Milo raised the volume, and a soup of incomprehensible background speech could be heard above the white noise.

Nothing for a few seconds, then one of the dark figures moved, still squatting, and repositioned itself to the left of the door. Another figure came from around a corner and lowered itself to a deep crouch, both hands on its weapon.

A close-up inflated the new arrival, turning dark cloth into navy blue, revealing the bulk of protective vesting, white letters spelling out LAPD across a broad back. Combat boots. Blue ski mask revealing only eyes; I thought of Munich terrorists and knew something bad was going to happen.

But nothing did for the next few moments. The dog's ears were still stiff and his breathing had quickened.

Milo rubbed one shoe with another and ran his hand over his face. Then the brown door on the screen swung open on two people.

A man, bearded, long-haired, scrawny. The beard, a matted frenzy of blond and gray corkscrews. Above a blemished, knotted forehead, his hair haloed in spiky clumps, recalling a child's clumsily drawn sun.

The camera moved in on him, highlighting dirty flesh, sunken cheeks, bloodshot eyes so wide and bulging they threatened to shoot off the shaggy launchpad of his face.

He was naked from the waist up and sweating furiously. The wild eyes began rotating madly, never blinking, never settling. His mouth was agape, like a dental patient's, but no sound issued forth. He appeared to be toothless.

His left arm was clamped around a heavy black woman, imbedded so tightly in her soft, skirted waist that the fingers disappeared.

The skirt was green. Over it the woman wore a white blouse that had come partially untucked. She was around thirty-five and her face was wet, too—perspiration and tears. Her teeth were visible, lips stretched back in a rictus of horror.

The man's right arm was a bony yoke around her neck. Something silvery flashed in his hand as he pressed it up against her throat.

She closed her eyes and kept them clenched.

The man was leaning her back, pressing her to him, convexing her neck and revealing the full breadth of a big, shiny carving knife. Red-stained hands. Red-stained blade. Only her heels touched the pavement. She was off balance, an unwilling dancer.

The man blinked, darted his eyes, and looked at one of the SWAT cops. Several rifles were aimed at him. No one moved.

The woman trembled and the collaring hand moved involuntarily and brought forth a small red mark from her neck. The blotch stood out like a ruby.