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Chapters (44)
  1. COVER PAGE
  2. TITLE PAGE
  3. DEDICATION
  4. ACKNOWLEDGMENTS
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. CHAPTER 31
  36. CHAPTER 32
  37. CHAPTER 33
  38. CHAPTER 34
  39. CHAPTER 35
  40. ABOUT THE AUTHOR
  41. BOOKS BY JONATHAN KELLERMAN
  42. PREVIEW OF A COLD HEART
  43. DON'T MISS THESE THRILLING SUSPENSE NOVELS FROM JONATHAN KELLERMAN
  44. COPYRIGHT PAGE

She hung up before I could ask for directions. I looked up her address in my case file—the ten thousand block of McVine Terrace in Sunland—and matched it to my Thomas map. Setting the dog up with water, food, and a bone, I left, not at all unhappy about running up the Iron Priests' tab.

The 405 freeway deposited me in a scramble of northbound traffic just beginning to clot, facing hills so smogged they were no more than shrouded, gray lumps on the horizon. I did the L.A. stop-and-go boogie for a while, listening to music and trying to be patient, finally made it to the 118 east, then the 210, and cruised into the high desert northeast of the city, picking up speed as both the road and the air got clearer.

Exiting at Sunland, I hooked north again and got onto a commercial stretch of Foothill Boulevard that ran parallel to the mountains: auto parts barns, body shops, unfinished furniture outlets, and more roofers than I'd ever seen in one area.

I spotted McVine a few minutes later and turned left. The street was narrow, with grass growing down to the curb instead of sidewalks, and planted haphazardly with eucalyptus and willow. The curb grass was dry and yellow. The houses behind it were small and low, some of them no more than trailers on raised foundations.

The Rodriguez residence was on a northwest corner, a boxcar of mocha stucco with a gutterless, black composition roof and a flat, porchless face broken by three metal-sashed windows. One of the windows was blocked by a tilting sheet of lattice. The squares were broken in spots, warped in others, and a few dead branches wormed around them. A high, pink block wall enveloped the rear of the property.

I got out and walked up a hardpack lawn stippled with blemishlike patches of some sort of low-growing succulent and split by a foot-worn rut. Evelyn's plum-colored Chevy was parked to the left of the pathway, next to a red half-ton pickup with two stickers on the bumper. One sang the praises of the Raiders, the other dared me to keep kids off drugs. A stick-on sign on the door said R AND R MASONRY.

I pressed the bell and a wasp-buzz sounded. A woman opened the door and looked at me through the smoke vining upward from a freshly lit Virginia Slim.