Back Bad Love Save as PDF
Chapters (44)
  1. COVER PAGE
  2. TITLE PAGE
  3. DEDICATION
  4. ACKNOWLEDGMENTS
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. CHAPTER 31
  36. CHAPTER 32
  37. CHAPTER 33
  38. CHAPTER 34
  39. CHAPTER 35
  40. ABOUT THE AUTHOR
  41. BOOKS BY JONATHAN KELLERMAN
  42. PREVIEW OF A COLD HEART
  43. DON'T MISS THESE THRILLING SUSPENSE NOVELS FROM JONATHAN KELLERMAN
  44. COPYRIGHT PAGE

“That's what I figured. It's probably why Evelyn postponed her appointment with me. Rodriguez told her they had to leave Wednesday. And why Hurley Keffler hassled me—where is he?”

“Still in. I found a few traffic warrants and had one of the jailers lose his paperwork—just another few days, but every little bit helps.”

Robin said, “It never ends.”

“It's all right,” I said. “There's no reason for the Priests to bother us.”

“True,” said Milo, too quickly. “They and the Raza boys will be concentrating on each other now. That's their main game: my turn to die, your turn to die.”

“Lovely,” said Robin.

“I had some Foothill guys drop in on them after Keffler's bust,” he said, “but I'll see if I can arrange another visit. Don't worry about them, Rob. Really. They're the least of our problems.”

“As opposed to?”

He looked at the tape recorder.

We sat down. He punched a button.

The child's voice came on.

Bad love bad love.

Don't give me the bad love.

I looked at him. He held up a finger.

Bad love bad love.

Don't give me the bad love . . .

Same flat tones, but this time the voice was that of a man.

Ordinary, middle-pitched, male voice. Nothing remarkable about the accent or the timbre.

The child's voice transformed—some kind of electronic manipulation?

Something familiar about the voice . . . but I couldn't place it.

Someone I'd met a long time ago? In 1979?

The room was silent, except for the dog's breathing.

Milo turned the recorder off and looked at me. “Ring any bells?”

I said, “There's something about it, but I don't know what it is.”

“The kid's voice was phony. What you just heard might be the real bad guy. No bells, huh?”

“Let me hear it again.”

Rewind. Play.

“Again,” I said.

This time, I listened with my eyes closed, squinting so hard the lids felt welded together.

Listening to someone who hated me.

Nothing registered.

Robin and Milo studied my face as if it were some great wonder. My head hurt badly.

“No,” I said. “I still can't pinpoint it—I can't even be sure I've actually heard it.”

Robin touched my shoulder. Milo's face was blank, but his eyes showed disappointment.

I glanced at the recorder and nodded.

He rewound again.

This time the voice seemed even more distant—as if my memory was spiraling away from me. As if I'd missed my chance.

“Goddammit,” I said. The dog's eyes opened. He trotted over to me and nuzzled my hand. I rubbed his head, looked at Milo. “One more time.”

Robin said, “You're tired. Why don't we try again in the morning?”

“Just once more,” I said.

Rewind. Play.

The voice.

Completely foreign now. Mocking me.

I buried my face in my hands. Robin's hands on my neck were an abstract comfort—I appreciated the sentiment but couldn't relax.

“What did you mean might be the bad guy?” I asked Milo.