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Chapters (44)
  1. COVER PAGE
  2. TITLE PAGE
  3. DEDICATION
  4. ACKNOWLEDGMENTS
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. CHAPTER 31
  36. CHAPTER 32
  37. CHAPTER 33
  38. CHAPTER 34
  39. CHAPTER 35
  40. ABOUT THE AUTHOR
  41. BOOKS BY JONATHAN KELLERMAN
  42. PREVIEW OF A COLD HEART
  43. DON'T MISS THESE THRILLING SUSPENSE NOVELS FROM JONATHAN KELLERMAN
  44. COPYRIGHT PAGE

I said, “How close was their relationship?”

“Teacher and student close. Harvey admired Andres, though he thought he was a little . . . authoritarian.”

“Authoritarian in what way?”

“Dogmatic—when he was convinced he was right. Harvey thought it ironic, since Andres had fought so hard against the Nazis . . . wrote so passionately for democracy . . . yet his personal style could be so . . .”

“Dictatorial?”

“At times. But Harvey still admired him. For who he was, what he'd done. Saving those French children from the Vichy government, his work on child development. And he was a good teacher. Once in a while I sat in on seminars. Andres holding court—like a don. He could talk for hours and keep you interested . . . lots of jokes. Tying everything in with punchlines. Sometimes he brought children in from the wards. He had a gift—they opened up to him.”

“What about Katarina?” I said. “Harvey told me she sat in, too.”

“She did . . . just a child, herself—a teenager, but she spoke up as if she was a peer. And now she's . . . and those other people—how can this be!”

“Sometimes authoritarianism can go too far,” I said.

Her cheeks shook. Then her mouth turned up in a tiny, disturbing smile. “Yes, I suppose nothing's what it seems, is it? Patients have been telling me that for thirty years and I've been nodding and saying, yes, I know . . . I really didn't know . . .”

“Did you ever go back into Harvey's files? To try to figure which patient had upset him?”

Long stare. Guilty nod.

“He kept tapes,” she said. “He didn't like writing—arthritis—so he taped. I wouldn't let the police listen to them . . . protecting the patients. But later, I began playing them for myself . . . I gave myself an excuse. For their own good—I was responsible for them, until they found another permanent therapist. Had to call them, to notify them . . . so I needed to know them.” Downcast eyes. “Flimsy . . . I listened anyway. Months of sessions, Harvey's voice . . . sometimes I couldn't stand it. But there was nothing that would have disillusioned him. All his patients were like old friends. He hadn't taken on any new ones for two years.”

“None at all?”

She shook her head. “Harvey was an old-fashioned analyst. The couch, free association, long-term, intensive work. The same fifteen people, three to five times a week.”

“Even an old patient might have told him something disillusioning.”

“No,” she said, “there was nothing like that in any of the sessions. And none of his old patients brought him to harm. They all loved him.”

“What did you do with the tapes?”

Rather than answer, she said, “He was gentle, accepting. He helped those people. They were all crushed.”

“Did you pick any of them up as patients?”