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Chapters (44)
  1. COVER PAGE
  2. TITLE PAGE
  3. DEDICATION
  4. ACKNOWLEDGMENTS
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. CHAPTER 31
  36. CHAPTER 32
  37. CHAPTER 33
  38. CHAPTER 34
  39. CHAPTER 35
  40. ABOUT THE AUTHOR
  41. BOOKS BY JONATHAN KELLERMAN
  42. PREVIEW OF A COLD HEART
  43. DON'T MISS THESE THRILLING SUSPENSE NOVELS FROM JONATHAN KELLERMAN
  44. COPYRIGHT PAGE

An old-fashioned wire-link gate was fastened across an asphalt driveway, but as I pulled up I could see it was unlocked. I got out and pushed it open and walked up the drive. The asphalt was old and cracked, stretching a hundred feet to the tail end of a small, Japanese car.

Drapes whited all the windows of the house. The front door was paneled oak, its varnish bubbling, a NEIGHBORHOOD WATCH sticker affixed just below the lion's head knocker. Below that was another one, bearing the name of an alarm company.

I rang the bell. Waited. Did it again. Waited some more. Used the lion. Nothing.

No one was around. I could hear the ocean.

I went around the side, past the little white car and a high-peaked garage with sagging swivel doors left half open. The backyard was twice the size of the front plot and denuded. The borders with its neighbors were obscured by thick plantings of dead citrus and dead avocado. On the ground were shapeless patches of lifeless shrubbery. Even the weeds were struggling.

But a couple of giant pines toward the back had survived nicely, their roots deep enough to tap into groundwater. Their trunks yearned for the ragged cliff that overlooked the beach. Through their boughs, the ocean was gray lacquer. The property was at least a hundred feet up, but the tide was a drum roll, loud enough to block out every other sound.

I looked at the rear of the house. Buttoned up and curtained. Near the cliff was an old redwood table and two chairs, guano specked and faded to ash. But half of the table was covered with a white tablecloth, and on the cloth were a cup and saucer and a plate.

I walked over. Coffee dregs in the cup, crumbs on the plate, and an orange smear that looked like ossified marmalade.

The ocean grumbled and seabirds shrieked in response. I walked to the edge of the cliff. To the spot where Katarina had photographed her father, slumped in his wheelchair.

Dry dirt. No fence, easy fall. I peered over and a splinter of vertigo pierced my chest. When it subsided, I looked over again. The hillside was gouged with erosion—giant fingermarks that traced a dead drop down to the rocky beach.

The gulls screamed again—a reprimand that reminded me I was trespassing.

The coffee and crumbs said Katarina was in town. Probably gone out for an errand.

I could wait here, but the more efficient thing would be to call Milo and catch him up on Becky Basille's notes, Harrison, and Bancroft.

As I started to leave, I passed the garage once again and saw the rear end of another car, parked in front of the little white sedan. Bigger and darker—black. The distinctive vertical slash taillights of a Buick Electra. Same car I'd seen at the front of the hospital, in seventy-nine.

Something near the rear tire.