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Chapters (44)
  1. COVER PAGE
  2. TITLE PAGE
  3. DEDICATION
  4. ACKNOWLEDGMENTS
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. CHAPTER 31
  36. CHAPTER 32
  37. CHAPTER 33
  38. CHAPTER 34
  39. CHAPTER 35
  40. ABOUT THE AUTHOR
  41. BOOKS BY JONATHAN KELLERMAN
  42. PREVIEW OF A COLD HEART
  43. DON'T MISS THESE THRILLING SUSPENSE NOVELS FROM JONATHAN KELLERMAN
  44. COPYRIGHT PAGE

The town of Ojai was a quarter of an hour farther, announced by a bike and equestrian trail, orange groves, and signs directing the motorist to the Ojai Palm Spa, the Humanos Theosophic Institute, Marmalade Hot Springs. To the south were the clean, green slopes of a country club. The cars were good-looking and so were the people.

Ojai proper was quiet and slow moving, with one traffic light. The main drag was Ojai Avenue, lined with the kind of low-rise, neo-Spanish architecture that usually means tight zoning laws. Unrestricted parking, plenty of spaces. Tans and smiles, natural fibers and good posture.

On the left side of the avenue, a colonnaded, tile-roofed building was filled with storefronts. Native American art and antiques, body wraps and herbal facials, a Little Olde Tea Shoppe. Across the street was an old theater, freshly adobed. Playing tonight: Leningrad Cowboys.

I had my Ventura County Thomas Guide on the passenger seat, but I didn't need it. Signal was a couple of intersections up, and 800 north meant a left turn.

Big trees and small houses, residential lots alternating with olive groves. A drainage ditch paved with fieldstones ran alongside the left side of the street, spanned every few yards by one-stride foot bridges. Wilbert Harrison's address was near the top, one of the last houses before open fields took over.

It was a shingle-roofed wooden cottage painted an odd purplish-red and nearly hidden behind unruly snarls of agave cactus. The purple was vivid and it shone through the agave's sawtooth leaves like a wound. Atop a steep dirt driveway, a Chevy station wagon was parked up against a single garage. Four stone steps led up to the front porch. The screen door was shut, but the wooden one behind it was wide open.

I knocked on the frame while looking into a small, dark living room, plank floored and crowded with old furniture, shawls, throw pillows, an upright piano. A bay window was lined with dusty bottles.

Chamber music came from another room.

I knocked louder.

“One minute.” The music turned off and a man appeared from a doorway to the right.

Short. Chubby as in his old picture and white haired. He had on a polyester jumpsuit the same purplish-red as the house. Some of the furniture was upholstered that color, too.

He opened the screen door and gave me a curious but friendly look. His eyes were gray, but they picked up magenta accents from his surroundings. There was a softness to his face, but no weakness.

“Dr. Harrison?”

“Yes, I'm Bert Harrison.” His voice was a clear baritone. The jumpsuit was zipped in the front and had large, floppy lapels. Short-sleeved, it exposed white, freckled arms. His face was freckled, too, and I noticed reddish-blond tints in his white hair. He wore a pinkie ring set with a violet cabochon, and a bolo tie with leather thongs held together by a big, shapeless purple rock. Sandals on his feet, no socks.