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Chapters (44)
  1. COVER PAGE
  2. TITLE PAGE
  3. DEDICATION
  4. ACKNOWLEDGMENTS
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. CHAPTER 31
  36. CHAPTER 32
  37. CHAPTER 33
  38. CHAPTER 34
  39. CHAPTER 35
  40. ABOUT THE AUTHOR
  41. BOOKS BY JONATHAN KELLERMAN
  42. PREVIEW OF A COLD HEART
  43. DON'T MISS THESE THRILLING SUSPENSE NOVELS FROM JONATHAN KELLERMAN
  44. COPYRIGHT PAGE

“Was he killed on the job, too?”

“Nope, in the comfort of his own home.”

“Where'd he live?”

“Budlong Avenue—South L.A.”

“Black?”

“Yeah.”

“What happened to him?”

“Pounded to mush and the house was trashed.”

“Robbery?”

“Doubtful. His stereo, TV, and some jewelry were left behind.”

“What, then? Someone looking for something?”

“Or someone got really angry. I want to read the whole file—got a call in for it.”

“Real estate agent and janitor,” I said. “Doesn't make any sense. Any connection between them?”

“Other than “bad love' on the wall, there doesn't seem to be any. Nothing matches. She was thirty-five, he was sixty-one. He was killed early morning—right after he finished work on the nightshift—and she got it in the middle of the day. She was stabbed, he was clubbed. There were even differences in what the killer used to write “bad love.' Shipler's was done in molasses from his fridge.”

“In both cases the killer was opportunistic—used something of the victim's.”

“Weapons, too,” he said. “She was killed with a kitchen knife from the house she was showing, Shipler with a fireplace poker that was identified as his. So?”

“I don't know, maybe it indicates some kind of power thing—dominance over the victims—turning the victims against themselves. Like using my tree branch on the koi. Were there any bondage or S&M overtones to either murder?”

“Paprock's bra was wrapped around her neck, but the coroner said it was done when she was already dead. Far as I can tell there were no sexual overtones at all to Shipler.”

“Still,” I said, “the message was important. It must mean something to the killer.”

“I'm sure it does,” he said, without enthusiasm.

“Did Shipler live alone?”

“Yeah, divorced.”

“What about Paprock?”

“No match there, either. Married, two kids.”

“If nothing was taken from Shipler's house,” I said, “what was the assumed motive?”

“A gang thing—there was lots of activity in Shipler's neighborhood, even back then. Lots more, now. Like you said before, a trashed house could mean someone looking for something. Central figured dope. Figured Shipler was involved on some level and “bad love' was some sort of gangbanger slogan they hadn't heard of yet. They checked it out with the CRASH detail and they hadn't heard of it, but new stuff comes up all the time.”

“Did Shipler turn out to be involved in gangs or dope?”

“Far as I can tell, he had no record, but plenty of scrotes slip through the cracks. In terms of there being no burglary, Southwest figured it was punks panicking and leaving before they could take anything. Which is consistent with gang wannabees—new recruits out on a virgin adventure.”

“An initiation thing?”