The journal told her far more about the emperor than the official histories had, and not just because of the contents. The pages of the book were worn and stained from constant turning. Ashravan had written this book to be read—by himself.

What memories had Ashravan sought so profoundly that he would read this book over and over and over again? Was he vain, enjoying the thrill of past conquests? Was he, instead, insecure? Did he spend hours searching these words because he wanted to justify his mistakes? Or was there another reason?

The door to her chambers opened. They had stopped knocking. Why would they? They already denied her any semblance of privacy. She was still a captive, just a more important one than before.

Arbiter Frava entered, graceful and long-faced, wearing robes of a soft violet. Her grey braid was spun with gold and violet this time. Captain Zu guarded her. Inwardly, Shai sighed, adjusting her spectacles. She had been anticipating a night of study and planning, uninterrupted now that Gaotona had gone to join the festivities.

“I am told,” Frava said, “that you are progressing at an unremarkable pace.”

Shai set down the book. “Actually, this is quick. I am nearly ready to begin crafting stamps. As I reminded Arbiter Gaotona earlier today, I do still need a test subject who knew the emperor. The connection between them will allow me to test stamps on him, and they will stick briefly—long enough for me to try out a few things.”

“One will be provided,” Frava replied, walking along the table with its glistening surface. She ran a finger across it, then stopped at the red seal mark. The arbiter prodded at it. “Such an eyesore. After going to such trouble to make the table more beautiful, why not put the seal on the bottom?”

“I’m proud of my work,” Shai said. “Any Forger who sees this can inspect it and see what I’ve done.”

Frava sniffed. “You should not be proud of something like this, little thief. Besides, isn’t the point of what you do to hide the fact that you’ve done it?”

“Sometimes,” Shai said. “When I imitate a signature or counterfeit a painting, the subterfuge is part of the act. But with Forgery, true Forgery, you cannot hide what you’ve done. The stamp will always be there, describing exactly what has happened. You might as well be proud of it.”

It was the odd conundrum of her life. To be a Forger was not just about soulstamps—it was about the art of mimicry in its entirety. Writing, art, personal signets … an apprentice Forger—mentored half in secret by her people—learned all mundane forgery before being taught to use soulstamps.