“Yes, yes,” Shai said, walking back to her table and flipping open the box’s lid. Inside were eighteen soulstamps, their heads smooth and unetched. She felt a thrill and picked one up, holding it out and inspecting it.

She had her spectacles back now, so no more squinting. She also wore clothing far more fitting than that dingy dress. A flat, red, calf-length skirt and buttoned blouse. The Grands would consider it unfashionable, as among them, ancient-looking robes or wraps were the current style. Shai found those dreary. Under the blouse she wore a tight cotton shirt, and under the skirt she wore leggings. A lady never knew when she might need to ditch her outer layer of clothing to effect a disguise.

“This is good stone,” Shai said of the stamp in her fingers. She took out one of her chisels, which had a tip almost as fine as a pinhead, and began to scrape at the rock. It was good soulstone. The rock came away easily and precisely. Soulstone was almost as soft as chalk, but did not chip when scraped. You could carve it with high precision, and then set it with a flame and a mark on the top, which would harden it to a strength closer to quartz. The only way to get a better stamp was to carve one from crystal itself, which was incredibly difficult.

For ink, they had provided bright red squid’s ink, mixed with a small percentage of wax. Any fresh organic ink would work, though inks from animals were better than inks from plants.

“Did you … steal a vase from the hallway outside?” Gaotona asked, frowning toward an object sitting at the side of her small room. She’d snatched one of the vases on the way back from the bath. One of her guards had tried to interfere, but Shai had talked her way past the objection. That guard was now blushing.

“I was curious about the skills of your Forgers,” Shai said, setting down her tools and hauling the vase up onto the table. She turned it on its side, showing the bottom and the red seal imprinted into the clay there.

A Forger’s seal was easy to spot. It didn’t just imprint onto the object’s surface, it actually sank into the material, creating a depressed pattern of red troughs. The rim of the round seal was red as well, but raised, like an embossing.

You could tell a lot about a person from the way they designed their seals. This one, for example, had a sterile feel to it. No real art, which was a contrast to the minutely detailed and delicate beauty of the vase itself. Shai had heard that the Heritage Faction kept lines of half-trained Forgers working by rote, creating these pieces like rows of men making shoes in a factory.

“Our workers are not Forgers,” Gaotona said. “We don’t use that word. They are Rememberers.”