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Chapters (61)
  1. Praise for USA Today bestseller Pamela Crane’s psychological thrillers:
  2. To Talia, for letting Mommy take a million pictures of you for my cover. I know you love the attention.
  3. Author’s Note
  4. The Pittsburg Press
  5. Prologue
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. The Pittsburg Press
  15. Chapter 9
  16. Chapter 10
  17. Chapter 11
  18. Chapter 12
  19. Chapter 13
  20. Chapter 14
  21. Chapter 15
  22. Chapter 16
  23. The Pittsburg Press
  24. Chapter 17
  25. Chapter 18
  26. Chapter 19
  27. Chapter 20
  28. Chapter 21
  29. Chapter 22
  30. The Pittsburg Press
  31. Chapter 23
  32. Chapter 24
  33. Chapter 25
  34. The Pittsburg Press
  35. Chapter 26
  36. Chapter 27
  37. Chapter 28
  38. Chapter 29
  39. The Pittsburg Press
  40. Chapter 30
  41. Chapter 31
  42. Chapter 32
  43. Chapter 33
  44. Chapter 34
  45. Chapter 35
  46. Chapter 36
  47. Chapter 37
  48. Chapter 38
  49. Chapter 39
  50. Chapter 40
  51. Chapter 41
  52. The Pittsburg Press
  53. Chapter 42
  54. Chapter 43
  55. Chapter 44
  56. Chapter 45
  57. Chapter 46
  58. Epilogue
  59. Acknowledgments
  60. About the Author
  61. Enjoy what you read?

Sydney was hopeful of growing a humongous pumpkin—as big as Cinderella’s coach, she said—and was no less pleased when the garden yielded nine gorgeous, plump pumpkins. The kids picked their two favorite specimens and, with Oliver’s help, carved a pair of jack-o’-lanterns—Syd’s with traditional triangular features, Eliot’s a rather grotesque attempt at the orange-skinned Thing from the Fantastic Four. The kids’ pumpkins, along with several more that hadn’t been massacred, graced the front porch. The rest had been left to rot in the patch, becoming midnight snacks for the abundant foxes, opossums, and raccoons. That pumpkin patch had done wonders for lifting everyone’s spirits, if only for a while.

While some trees surrounding our yard clung to their fiery oranges and buttery yellows and bloody burgundy, others had already dropped their leaves. Oliver swore he was going to get around to raking them up; our on-call gardener could take care of it, but Oliver claimed it was good therapy. Our property was an island among the suburbs, our house shrouded by six acres of forest, no other dwelling in sight. There was something both eerily serene and terrifying about it. The isolation. The mysteries. The secrets we could bury with no one watching.

We had privacy to spare, but every now and then a curiosity-seeker would defy the wry “Trespassers Will Be Shot, Survivors Will Be Shot Again” sign Cody had erected on our property line at the end of the road, hell-bent on seeing the Execution Estate up close.

Today happened to be one of those days.

A beam of headlights swung across the driveway, and a minute later a rattletrap Corolla with two suicide tires and no hubcaps pulled in front of the porch. Two unkempt slackers in their early twenties got out and stood brazenly gawking at the house in all its grandiose glory.

“Oh no, not again,” Oliver grumbled. He stood and walked to the edge of the porch. “Can I help you…gentlemen?”

“Is this the Execution Estate?” said one of the boys.

“What if it is?” said Oliver with more restraint than I gave him credit for.

“Dude, we just drove up from Perryopolis—”

“And saw Buffalo Bill’s house from Silence of the Lambs,” the other finished. “It was frickin’ awesome. But not half as awesome as this joint.”

“Yeah, we’re on a tour of cool murder manses, and the Execution Estate was next on our list. This place is the shit!”

Oliver took a sip of his drink. “Gee, thanks.”

“Some couple’s gonna turn Buffalo Bill’s house into a hotel,” the first boy said. “You guys gonna turn this place into a hotel? That would be—”

“Frickin’ awesome?” Oliver supplied. “No, no plans like that. Guess you boys didn’t see the sign about trespassing.”

“Yeah, we saw it. Figured it was a joke.”