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On the river there were huge rafts with little towns built on them, sometimes five or six houses, and little corrals with cows, and goats, and chickens. These rafts had come from the far northern tributaries of the Volga, where the logs had been cut, and they moved slowly down the river, stopping at cities and towns that have been destroyed. The local authorities requisition the logs that are needed. In every place where they stopped, the requisitioned logs were cut loose and floated ashore, so that as the rafts moved down the river, they diminished gradually in size. But the process takes so long that the crews who live on the rafts have set up tiny townships on their rafts.

The life on the river was very rich, and it reminded us of Mark Twain’s account of the Mississippi of his day. Little side-wheelers rushed up and down the river, and a few heavy, clumsy boats even moved under sail.
We went close to one of the big log rafts, and we saw one woman milking a cow in a little corral, and another hanging out washed clothes behind her house, while the men were cutting loose the logs which would be floated ashore to help in the rebuilding of Stalingrad.
Mr. Chmarsky’s gremlin really worked overtime in Stalingrad. First it had been the motion-picture company, and then the factory, and even with the little boat excursion his gremlin was busy. We had wanted a small light boat, in which we could move rapidly up and down, and what we got instead was a large cruiser-like boat of the Russian Navy. And we had it all to ourselves, except for its crew. We had wanted a boat with shallow draught, so that we could move close to the shore, and instead we had a boat which had to stand offshore, because it drew too much water. We had to maneuver among small canoe-like boats, in which whole families brought their produce to the markets of Stalingrad, their tomatoes and their piles of melons, their cucumbers and their inevitable cabbages.

In one market at Stalingrad there was a photographer with an old bellows camera. He was taking a picture of a stern young army recruit, who sat stiffly on a box. The photographer looked around and saw Capa photographing him and the soldier. He gave Capa a fine professional smile and waved his hat. The young soldier did not move. He gazed fixedly ahead.
We were taken to the office of the architect who was directing the plans for the new city of Stalingrad. The suggestion had been put forward that the city be moved up or down the river, and no attempt be made to rebuild it, because the removal of the debris would be so much work. It would have been cheaper and easier to start fresh. Two arguments had been advanced against this: first, that much of the sewage system and the underground electrical system was probably still intact; and second, there was the dogged determination that the city of Stalingrad should, for sentimental reasons, be restored exactly where it had been. And this was probably the most important reason. The extra work of clearing the debris could not stand up against this feeling.