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Chapters (68)
  1. Title Page
  2. Prologue
  3. March 1966
  4. Chapter 1
  5. Chapter 2
  6. Chapter 3
  7. Chapter 4
  8. Chapter 5
  9. Chapter 6
  10. Chapter 7
  11. Chapter 8
  12. Chapter 9
  13. Chapter 10
  14. Chapter 11
  15. Chapter 12
  16. Chapter 13
  17. Chapter 14
  18. Chapter 15
  19. Chapter 16
  20. Chapter 17
  21. Chapter 18
  22. Chapter 19
  23. Chapter 20
  24. Chapter 21
  25. Chapter 22
  26. Chapter 23
  27. Chapter 24
  28. Chapter 25
  29. Chapter 26
  30. Chapter 27
  31. Chapter 28
  32. Chapter 29
  33. Chapter 30
  34. Chapter 31
  35. Chapter 32
  36. Chapter 33
  37. Chapter 34
  38. Chapter 35
  39. Chapter 36
  40. Chapter 37
  41. Chapter 38
  42. Chapter 39
  43. Chapter 40
  44. Chapter 41
  45. Chapter 42
  46. Chapter 43
  47. Chapter 44
  48. Chapter 45
  49. Chapter 46
  50. Chapter 47
  51. Chapter 48
  52. Chapter 49
  53. Chapter 50
  54. Chapter 51
  55. Chapter 52
  56. Chapter 53
  57. Chapter 54
  58. Chapter 55
  59. Chapter 56
  60. Chapter 57
  61. Chapter 58
  62. Chapter 59
  63. April 1966
  64. Chapter 60
  65. Chapter 61
  66. Historical Note
  67. Acknowledgements
  68. About the Author

The screen cut to a side angle, showing the full depth of the stage and just how much ground Nureyev was covering with his sautés and jetés, then back to a face-on view, this time in a close-up just tight enough to show the beads of sweat that were trickling from his temples to the creases of his mouth, and then again to the opposite side of the stage. Whoever was editing the live broadcast knew what they were doing. The camera cuts of a particularly complex combination of sissonne-jeté-­assemblé-sauté Nureyev moved through with ease were perfect, apart from a brief moment at the very top of Nureyev’s assemblé when three bright flashes filled the screen, like flares set off in front of the nation’s eyes.

Laing was halfway through asking what had caused the sudden interference when Williams knocked him out by slamming his forearm into his stomach, doubling Laing over and then smashing his face into his cognac glass and the coffee table it sat on.

A second later, Williams was behind Holland, his arm wrapping round the director general’s neck in a chokehold. Williams’s face was completely still and blank as Holland desperately tried to claw his way free, and then slowly started to lose consciousness. Then Williams dragged Holland’s chair out from under his desk and, tapping even further into some hidden well of strength, tipped the older and much larger man over his shoulder and carried him out of his office.

The rest of the fifth floor was empty, so there was no one to stop Williams carrying Holland all the way to the lift and down to the underground car park to Holland’s Bentley, the only car that was still in its space.

Its doors were unlocked. Williams eased Holland’s body off his shoulder and propped him against the back seat. He removed the director general’s tie, used it to bind his wrists together, then shoved him over onto his side. Finally, he walked round to the driver’s door, got in, opened the glove compartment to retrieve the set of copied keys and the Makarov pistol that had been left inside for him, and drove up the exit ramp.

Chapter 52

Chapter 52

‘Stop!’ Knox shouted as he saw the woman step out of the shadows towards the light of the stage.

She didn’t.

She might not have heard him over the orchestra’s rise and fall, but somehow Knox sensed that she had, and that she knew he was after her.

He clambered over the fake chimneys blocking his path to the stage with Bennett in tow.