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Chapters (68)
  1. Title Page
  2. Prologue
  3. March 1966
  4. Chapter 1
  5. Chapter 2
  6. Chapter 3
  7. Chapter 4
  8. Chapter 5
  9. Chapter 6
  10. Chapter 7
  11. Chapter 8
  12. Chapter 9
  13. Chapter 10
  14. Chapter 11
  15. Chapter 12
  16. Chapter 13
  17. Chapter 14
  18. Chapter 15
  19. Chapter 16
  20. Chapter 17
  21. Chapter 18
  22. Chapter 19
  23. Chapter 20
  24. Chapter 21
  25. Chapter 22
  26. Chapter 23
  27. Chapter 24
  28. Chapter 25
  29. Chapter 26
  30. Chapter 27
  31. Chapter 28
  32. Chapter 29
  33. Chapter 30
  34. Chapter 31
  35. Chapter 32
  36. Chapter 33
  37. Chapter 34
  38. Chapter 35
  39. Chapter 36
  40. Chapter 37
  41. Chapter 38
  42. Chapter 39
  43. Chapter 40
  44. Chapter 41
  45. Chapter 42
  46. Chapter 43
  47. Chapter 44
  48. Chapter 45
  49. Chapter 46
  50. Chapter 47
  51. Chapter 48
  52. Chapter 49
  53. Chapter 50
  54. Chapter 51
  55. Chapter 52
  56. Chapter 53
  57. Chapter 54
  58. Chapter 55
  59. Chapter 56
  60. Chapter 57
  61. Chapter 58
  62. Chapter 59
  63. April 1966
  64. Chapter 60
  65. Chapter 61
  66. Historical Note
  67. Acknowledgements
  68. About the Author

For a moment Knox entertained the possibility that Kosygin had, in fact, decided to spend the evening in the Soviet embassy, and he and Bennett could combine hunting for a soon-to-be frustrated assassin with watching at least a few minutes of Nureyev’s performance. But then a set of the large glass front doors opened and Kosygin finally made his entrance, wearing a tuxedo and flanked by three other men. As he was guided up to the grand tier by an usher, any last drops of hope and levity instantly drained out of Knox.

‘That’s that, then,’ he said, checking his watch.

If the assassin wanted to make the biggest impact and create the most terror, Knox was sure they’d strike when Nureyev was on stage and people all over the country were watching on the BBC. The curtain was due to go up in five minutes, and Card Game was twenty-five minutes long, which meant they had half an hour to stop a murder.

Sarah Holland never let her nerves get the better of her, but knowing she was very probably walking into the same building as a killer gave her arrival at the Royal Opera House a rather different tone to her usual evenings at the ballet. She maintained her composure as she mingled her way through the entrance hall, stopping to embrace acquaintance after acquaintance. But all she wanted to do was get to her box as quickly as possible.

She delicately excused herself from the last, old son of a banking dynasty who seemed to think that the sizeable donation Sarah had persuaded him to give to Great Ormond Street children’s hospital a few months ago gave him permission to aggressively compliment her pink satin Christian Dior gown, and made her way up the wide staircase to the grand tier a few minutes before the warning bell rang. She felt a mix of hope and apprehension building inside her—hope for what might still simply be an evening of incredible human artistry and athleticism, and apprehension for what might turn it into something even more dramatic.

Sarah’s seat was in the fifth box from the right-hand edge of the opera house’s towering proscenium arch. It was her favourite spot to watch the ballet and opera from, as you could actually see the performances from it rather than just be seen by the rest of the audience during them.

‘Darling,’ a very loud voice said as she stepped inside. ‘I was wondering when you were going to get here.’

Sarah had forgotten that one of the people she’d be sharing her evening with was Lady Jane Balcairn, another person she regularly charmed into giving significant amounts to good causes. Lady Balcairn was also an incorrigible gossip who only stopped talking when she was swallowing champagne or watching ballet.

‘Good evening,’ Sarah replied, a practised smile matching the calm tone of her voice.