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Chapters (47)
  1. Cover
  2. DEDICATION
  3. MAP
  4. EPIGRAPH
  5. New York City
  6. New York City
  7. CHAPTER ONE
  8. CHAPTER TWO
  9. CHAPTER THREE
  10. CHAPTER FOUR
  11. CHAPTER FIVE
  12. CHAPTER SIX
  13. CHAPTER SEVEN
  14. CHAPTER EIGHT
  15. CHAPTER NINE
  16. CHAPTER TEN
  17. CHAPTER ELEVEN
  18. CHAPTER TWELVE
  19. CHAPTER THIRTEEN
  20. CHAPTER FOURTEEN
  21. CHAPTER FIFTEEN
  22. CHAPTER SIXTEEN
  23. CHAPTER SEVENTEEN
  24. CHAPTER EIGHTEEN
  25. CHAPTER NINETEEN
  26. CHAPTER TWENTY
  27. CHAPTER TWENTY-ONE
  28. CHAPTER TWENTY-TWO
  29. CHAPTER TWENTY-THREE
  30. CHAPTER TWENTY-FOUR
  31. CHAPTER TWENTY-FIVE
  32. CHAPTER TWENTY-SIX
  33. CHAPTER TWENTY-SEVEN
  34. CHAPTER TWENTY-EIGHT
  35. CHAPTER TWENTY-NINE
  36. CHAPTER THIRTY
  37. CHAPTER THIRTY-ONE
  38. CHAPTER THIRTY-TWO
  39. CHAPTER THIRTY-THREE
  40. CHAPTER THIRTY-FOUR
  41. CHAPTER THIRTY-FIVE
  42. Sunrise in Gotham Senior Living Center
  43. ACKNOWLEDGMENTS
  44. BACK ADS
  45. ABOUT THE AUTHOR
  46. BOOKS BY LAURA RUBY
  47. ABOUT THE PUBLISHER

Once the tour had moved on to view said gorillas and the rest of the exhibit, Jaime and his father stayed to watch the man fold. This artist was not Japanese, but a white man with a tidy beard. To Jaime, he looked like a schoolteacher or maybe a librarian. His fingers looked too big to make such delicate things as the paper cranes that people could buy in the gift shop.

“Did you always do this?” Jaime asked him.

“I worked as a scientist a long time ago,” said the man.

“Oh! What kind of scientist?” Jaime’s father asked.

“A physicist,” said the man.

“My mom was a physicist,” Jaime said proudly. “She did lots of important things. She loved it. Why did you give it up?”

The man laughed. “I didn’t. Not exactly.”

“Huh?” said Jaime.

“What I mean is, folding paper is a lot like math, a lot like science.”

Jaime was doubtful. “Really?”

“Sure. NASA scientists are interested in the art of folding because they have to find ways to fit large things in small spaces. There’s another scientist whose art is displayed here, a man named John Montroll, who has made models of Platonic solids and Archimedean solids.”

“I don’t know what those are,” said Jaime.

“Beautiful,” said the man, in that dreamy way Jaime’s father might talk about his mother. “Origami is a lot like magic, too. No matter how many folds you make or if you end up with a cat or a crane or a mantis or a fish, you still have only one sheet of paper. The paper stays the same. It never loses its essence.”

“What’s essence?”

“Its spirit. Its soul.”

“Paper doesn’t have a soul.”

“No?” The man held out a tiny paper figure. Jaime took it. It was a bronze woman in a long elaborate bronze dress.

“Who is she?” Jaime said.

“I’m not sure. She might be many things. But I think she’s a scientist.”

“And also an artist?”

“Why not?” said the man. “But maybe you can ask her.”

Jaime still had the tiny woman. Every once in a while, he would ask her what she was. Sometimes he imagined she said she was a scientist, sometimes he imagined she said she was an artist—a particle artist, a star artist. Sometimes when he asked her who she was, he imagined she said she was his mother and she was all of the other things, too. Everything at once.

She was also a piece of paper. The paper remained the same.