Back Yesterday Is History Save as PDF
Chapters (47)
  1. Front Cover
  2. Title Page
  3. Copyright
  4. Contents
  5. Part One
  6. One
  7. Two
  8. Three
  9. Four
  10. Five
  11. Six
  12. Seven
  13. Eight
  14. Nine
  15. Ten
  16. Part Two
  17. Eleven
  18. Twelve
  19. Thirteen
  20. Fourteen
  21. Fifteen
  22. Sixteen
  23. Seventeen
  24. Eighteen
  25. Nineteen
  26. Twenty
  27. Twenty-One
  28. Twenty-Two
  29. Twenty-Three
  30. Twenty-Four
  31. Part Three
  32. Twenty-Five
  33. Twenty-Six
  34. Twenty-Seven
  35. Twenty-Eight
  36. Twenty-Nine
  37. Thirty
  38. Thirty-One
  39. Thirty-Two
  40. Acknowledgments
  41. Excerpt from Survive the Dome
  42. Prologue
  43. 6 Months Later
  44. One
  45. About the Author
  46. Back Cover

She opens the book, which I realize is actually a photo album. The page she turns to is filled with four or five photos. One of them stands out. It’s of the Crispus Attucks Monument designed by Robert Kraus. But in this picture, it’s only half finished. I used to love that monument when I was little. Mom took me to it hundreds of times. I did over a dozen projects on Crispus Attucks, the first American, a Black man, killed at the start of the American Revolution. I know his story like the back of my hand.

I also know that the monument was erected in 1888. There is a woman in the picture, standing off to the side, a woman who looks exactly like Claire McIntyre.

I bring the photo close to my face, as if examining the grainy and slightly blurry photograph with crinkly, yellowed edges will help me make sense of what I’m seeing. The album is filled with photographs—some labeled Statue of Liberty, 1895 and others, The Battle of South Mountain, 1862 and Live Aid Concert, 1985.

And Claire is clearly there in all of them.

I close the heavy book with a loud thump, pushing it back toward her like it’s some sort of cursed tome. She takes it carefully, holding the book preciously close to her chest before putting it by her side.

“Questions?”

“Many.” A beat passes. “These could be photoshopped.”

Claire shrugs. “They could be. Do you think they are?”

I can’t say that I do, and I think that’s what scares me.

“That’s typical, you know. All the questions you have—logical solutions trying their best to make themselves known, to make sense of what’s happening. At least, I assume that’s typical. Most time travelers come from families who can perform the act. They just inherently know that this is real because it’s part of their reality. It’s rare for someone to just”—she snaps—“start doing it without some warning signs beforehand. It’s a genetic gift, you know, and you’ve been lucky enough to have received it.”

“I’d argue it’s a curse.”

For the first time since I arrived, it’s her turn to look off-balance.

“And why would you say that?”

“Secrets make you lonely. They isolate you. And a secret like this, if it’s actually true? That’s something you can’t ever afford to let loose. That’s a sad way to live. Especially when you have the power to play God but, I’m assuming, can’t.”

“Assuming that time travel is real, of course.”

“Of course.”

“You’re smart, Andre.”

“I know.”

“But in this case, you’re wrong. To not be anchored to a specific time? To see the world in a way that no one else can? That’s a gift that few people can experience. And you, Andre, are lucky enough now to be able to experience it.”