Back Woman in Shadow
Chapters (42)
  1. Cover
  2. Dedication
  3. Chapter 1
  4. Chapter 2
  5. Chapter 3
  6. Chapter 4
  7. Chapter 5
  8. Chapter 6
  9. Chapter 7
  10. Chapter 8
  11. Chapter 9
  12. Chapter 10
  13. Chapter 11
  14. Chapter 12
  15. Chapter 13
  16. Chapter 14
  17. Chapter 15
  18. Chapter 16
  19. Chapter 17
  20. Chapter 18
  21. Chapter 19
  22. Chapter 20
  23. Chapter 21
  24. Chapter 22
  25. Chapter 23
  26. Chapter 24
  27. Chapter 25
  28. Chapter 26
  29. Chapter 27
  30. Chapter 28
  31. Chapter 29
  32. Chapter 30
  33. Chapter 31
  34. Chapter 32
  35. Chapter 33
  36. Epilogue
  37. A Note or Two from the Author
  38. Discussion Questions
  39. Acknowledgments
  40. About the Author
  41. Praise for Carrie Stuart Parks
  42. Also by Carrie Stuart Parks

I swatted an annoying fly and thought about Mae’s drawings, letting my mind whorl around. Drawing. Mae. Art. Angie. Angie’s words during lunch. Art is more than the subject, medium, or application of paint. The artist might be conveying a message . . .

Mae couldn’t speak, but she might have been trying to communicate through her drawings. I closed my eyes and tried to picture the sketches. Each one was signed and dated, although I didn’t remember the exact dates, only that they were close to the time I believed she died.

When I’d shown the drawings to Angie, she’d arranged them by date. The first had been the two dogs by the stream, then one landscape, the men in the cloud, Roy, the sheriff, the second landscape, Sam, and the self-portrait.

Think about them in order. Her dogs. Pets? Only friends in the world? Faithful. Loyal. If she drew her pets, her animals, why didn’t she draw the mule? So something about the dogs. I picked up a piece of straw and gnawed on it.

Maybe I needed to approach this from another angle. The first drawing in the series was the dogs. Her message started with that. The first thing she noticed was . . .

I threw away the straw, picked up some twine, and wound it around my hand. Forensic analysis of writing was so much easier. I knew words were an attempt to communicate thoughts. I didn’t know that Mae was saying anything in her art. She may have just been drawing for pleasure.

I tied the twine into a bow. I have nothing to lose by assuming a message.

Back to the dogs. They were by the stream. Was it important that the dogs be by water? Dogs playing in the water, drinking from the stream. . . . the stream that flowed past the mine. I’d followed it down to here.

But the miner had blown a hole in a vent, and now a geyser spewed boiling water and minerals into the creek.

The temperature and taste would have changed, and the dogs would have reacted.

A puzzle piece dropped into place. Either Mae noticed the dogs’ reaction to the change, or she saw it, tasted it as well.

“I did it,” I whispered. “I know what you wanted to say.”

The next drawing was the landscape with the snag. I couldn’t be positive on this, but I’d bet that snag was close to the mine. If so, the second piece of the puzzle was the location of the problem. She would have followed the stream to the mine.

I raised my arms in a Rocky Balboa moment while the opening music played in my brain. Da da-da da, da da DA da da!

I pictured the third drawing. It made sense.