“The low men,” Callahan said. “They call themselves that, sometimes, although there are women among them. Sometimes they call themselves regulators. A lot of them wear long yellow coats…but not all. A lot of them have blue coffins tattooed on their hands…but not all.”

“Big Coffin Hunters, Roland,” Eddie murmured.

Roland nodded but never took his eyes from Callahan. “Let the man talk, Eddie.”

“What they are—what they really are—is soldiers of the Crimson King,” Callahan said. And he crossed himself.

Twelve

Eddie started. Susannah’s hand went back to her belly and began to rub. Roland found himself remembering their walk through Gage Park after they had finally escaped Blaine. The dead animals in the zoo. The run-to-riot rose garden. The carousel and the toy train. Then the metal road leading up to the even larger metal road which Eddie, Susannah, and Jake called a turnpike. There, on one sign, someone had slashedWATCH FOR THE WALKIN DUDE . And on another sign, decorated with the crude drawing of an eye, this message:ALL HAIL THE CRIMSON KING!

“You’ve heard of the gentleman, I see,” Callahan said dryly.

“Let’s say he’s left his mark where we could see it, too,” Susannah said.

Callahan nodded his head in the direction of Thunderclap. “If your quest takes you there,” he said, “you’re going to see a hell of a lot more than a few signs spray-painted on a few walls.”

“What about you?” Eddie asked. “What did you do?”

“First, I sat down and considered the situation. And decided that, no matter how fantastic or paranoid it might sound to an outsider, I really was being stalked, and not necessarily by Type Three vampires. Although of course I did realize that the people leaving the graffiti around and putting up the lost-pet posters wouldn’t scruple to use the vampires against me.

“At this point, remember, I had no idea who this mysterious group could be. Back in Jerusalem’s Lot, Barlow moved into a house that had seen terrible violence and was reputed to be haunted. The writer, Mears, said that an evil house had drawn an evil man. My best thinking in New York took me back to that idea. I began to think I’d drawn another king vampire, another Type One, the way the Marsten House had drawn Barlow. Right idea or wrong one (it turned out to be wrong), I found it comforting to know my brain, booze-soaked or not, was still capable of some logic.