Chapters (47)
- Cover
- Dedication
- Epigraph
- PROLOGUE
- NORA
- OLIVER
- NORA
- Spellbook of Moonlight & Forest Medicine
- NORA
- OLIVER
- NORA
- Spellbook of Moonlight & Forest Medicine
- NORA
- OLIVER
- NORA
- Spellbook of Moonlight & Forest Medicine
- OLIVER
- NORA
- Spellbook of Moonlight & Forest Medicine
- NORA
- OLIVER
- NORA
- Spellbook of Moonlight & Forest Medicine
- NORA
- OLIVER
- NORA
- Spellbook of Moonlight & Forest Medicine
- NORA
- OLIVER
- NORA
- Spellbook of Moonlight & Forest Medicine
- OLIVER
- NORA
- Spellbook of Moonlight & Forest Medicine
- NORA
- OLIVER
- NORA
- OLIVER
- NORA
- Spellbook of Moonlight & Forest Medicine
- NORA
- OLIVER
- Spellbook of Moonlight & Forest Medicine
- EPILOGUE
- More from the Author
- Acknowledgments
- About the Author
They claw their fingernails along the bark of hemlock trees, they wail up through the limbs, searching for the moonlight—for any sliver of the sky. But there is no light in this place. The Wicker Woods are where old, vengeful things lurk—things much older than time itself. Things you don’t want to meet in the dark. Get in. Get the hell out.
Fin follows close at my heels, no longer leading the way—so close his footsteps match mine. Human shadow. Dog shadow.
I am a Walker, I remind myself when the thorn of fear begins to wedge itself along my spine, twisting between flesh and bone, prodding me to run. I belong in these trees. Even if I’m not as formidable as my grandmother or as fearless as my mom, the same blood swells through my veins. Black as tar. The blood that gives all Walkers our nightshade, our “shadow side.” The part of us that is different—odd, uncommon. Grandma could slip into other people’s dreams, and Mom can lull wild honeybees into sleep. But on nights like this, venturing into the cruelest part of the forest, I often feel terrifyingly ordinary and I wonder if the trees can sense it too: I am a girl barely able to call herself descended from witches.
Barely able to call myself a Walker.
Yet, I press forward, squinting through the dark and scanning the exposed roots poking up through the snow, searching for hidden things wedged among the lichen and rocks. Something shiny or sharp-cornered or rusted with time. Something man-made—something that’s value is measured by weight.
We pass over a dried creek bed, and the wind changes direction from east to north. The temperature dips. An owl cries in the distance, and Fin stops beside me—nose twitching in the air. I touch his head gently, feeling the quick pace of his breathing.
He senses something.
I pause and listen for the snapping of branches underfoot, for the sounds of a wolf stalking through the trees, watching us. Hunting.
But a moth skims past my shoulder—white wings beating against the cold, flitting toward a sad, spiny-looking hemlock tree, leaving imprints of dust wherever it lands. It looks as if it’s just come through a storm, wings torn at the edges. Shredded.
A moth who’s faced death. Who’s seen it up close.
My heartbeat sinks into my toes and my eyelashes twitch, certain I’m not seeing it right. Just another trick of the woods.
But I know what it is—I’ve seen sketches of them before. I’ve even seen one pressed against the window while my grandmother coughed from her room down the hall, hands clasping the bedsheets. Blood in her throat.
A bone moth.
The worst kind. The bringer of portents and warnings, of omens that should never be ignored. Of death.
My fingers again touch the gold moonstone ring weighted heavy on my finger.