Back Winterwood
Chapters (47)
  1. Cover
  2. Dedication
  3. Epigraph
  4. PROLOGUE
  5. NORA
  6. OLIVER
  7. NORA
  8. Spellbook of Moonlight & Forest Medicine
  9. NORA
  10. OLIVER
  11. NORA
  12. Spellbook of Moonlight & Forest Medicine
  13. NORA
  14. OLIVER
  15. NORA
  16. Spellbook of Moonlight & Forest Medicine
  17. OLIVER
  18. NORA
  19. Spellbook of Moonlight & Forest Medicine
  20. NORA
  21. OLIVER
  22. NORA
  23. Spellbook of Moonlight & Forest Medicine
  24. NORA
  25. OLIVER
  26. NORA
  27. Spellbook of Moonlight & Forest Medicine
  28. NORA
  29. OLIVER
  30. NORA
  31. Spellbook of Moonlight & Forest Medicine
  32. OLIVER
  33. NORA
  34. Spellbook of Moonlight & Forest Medicine
  35. NORA
  36. OLIVER
  37. NORA
  38. OLIVER
  39. NORA
  40. Spellbook of Moonlight & Forest Medicine
  41. NORA
  42. OLIVER
  43. Spellbook of Moonlight & Forest Medicine
  44. EPILOGUE
  45. More from the Author
  46. Acknowledgments
  47. About the Author

I feel sorry for her, the desperate curve of her mouth, the watery rims of her eyes. I wouldn’t want to sleep here either, in this damp, cold place. And a part of me—a part I don’t want to admit to—thinks it might be nice to have someone else at the house. To fill the silence. Last night, sleeping in my room with Oliver downstairs on the couch, felt oddly comforting. Another warm body and beating heart within the walls. “Okay,” I say at last.

A smile breaks across her face, revealing her perfectly straight teeth. “I’ll go grab my bag. Meet you outside?”

I nod and she spins around, crossing the immense room and vanishing into a dark doorway that must lead back to the kitchen.

Candles are relit across the thick wood tables, flames becoming little points of light in the dark, shining up the walls. But before I can slip out through the open doorway, I notice something flitting down from the ceiling—something I couldn’t see before in the dark.

A moth.

It must have been hovering up in the rafters, and now it quivers through the air, drawn toward the candlelight. Its white-gray body is paler than it should be. Its antennae too long and bleached white. Not a common moth.

It’s the same kind I saw in the Wicker Woods.

A bone moth.

Seeing it again is like a spark against my eyelids—cold as January frost. Wild as February wind. Like a premonition. But I’ve never been able to foresee what’s to come. Not like Georgette Walker, my great-great-aunt whose nightshade let her see the future in dewdrops suspended on blades of grass. This feeling is something else. A certainty resting at the base of my throat. A dull, stagnant ache. A ringing in my ears.

I turn away, a chill rolling down my spine, and dart back outside—before the camp instructors decide I need to be tallied and counted along with the others—and brace myself against the cold wintry air.

My hands shake at my sides, and my heart slams against the delicate rungs of my ribs. I lean my shoulder against one of the large posts holding up the deck, gasping for air, blinking away the snow. Blinking away the afterimage of wings stained against my eyelids. I told myself the moth I saw in the woods was only a common night moth, a winter moth the color of snow, nothing more. But I was wrong. It’s the kind I should fear. The kind that are mentioned inside the spellbook countless times. Charcoal sketches of wings torn into ribbons at the edges, woolly legs, black orb eyes that seek only one thing: death.

My eyes water from the cold, and my head thuds.