Back Winterwood
Chapters (47)
  1. Cover
  2. Dedication
  3. Epigraph
  4. PROLOGUE
  5. NORA
  6. OLIVER
  7. NORA
  8. Spellbook of Moonlight & Forest Medicine
  9. NORA
  10. OLIVER
  11. NORA
  12. Spellbook of Moonlight & Forest Medicine
  13. NORA
  14. OLIVER
  15. NORA
  16. Spellbook of Moonlight & Forest Medicine
  17. OLIVER
  18. NORA
  19. Spellbook of Moonlight & Forest Medicine
  20. NORA
  21. OLIVER
  22. NORA
  23. Spellbook of Moonlight & Forest Medicine
  24. NORA
  25. OLIVER
  26. NORA
  27. Spellbook of Moonlight & Forest Medicine
  28. NORA
  29. OLIVER
  30. NORA
  31. Spellbook of Moonlight & Forest Medicine
  32. OLIVER
  33. NORA
  34. Spellbook of Moonlight & Forest Medicine
  35. NORA
  36. OLIVER
  37. NORA
  38. OLIVER
  39. NORA
  40. Spellbook of Moonlight & Forest Medicine
  41. NORA
  42. OLIVER
  43. Spellbook of Moonlight & Forest Medicine
  44. EPILOGUE
  45. More from the Author
  46. Acknowledgments
  47. About the Author

My eyes flick to the ground, looking for the spellbook I held in my hands when I went into the lake, but it’s not here.

The ring has returned. But the spellbook is gone.

Something’s happened—to me, to the forest, to everything. I don’t remember drowning. I don’t recall the cold of the water rushing into my lungs. The pain of death.

I spin in a circle, but there is no sign of Oliver, of anyone else.

I’m alone.

On shaking legs, I push myself away from the tree and start down the slope toward the lake. I can feel the trees bending away, giving me space. I force my lungs to breathe, to determine north from south, to orient the sky from the ground. But the seconds totter strangely around me, slippery like a silverfish swimming through reeds.

If Grandma were here, she would look at the trees, the dark snow-filled sky, my eyes, and she would know if this was all a dream. She would know why I didn’t drown in the lake. Why ash-clouds don’t rise up beneath my feet.

But right now, she feels very, very far away.

I stop at the shore and cross my arms, my mouth dipping open. There are no blackened trees, no spinning sparks weaving through the sky. The row of summer homes and the boys’ camp at the far side of the lake have not been reduced to ash. And up in the pines, my home still stands.

Nothing has burned.

I inch closer to the shoreline, the air crackling and settling, and through the falling snow I hear voices, boys shouting, laughing.

It’s coming from across the lake.

Maybe I should go back to the house, get warm beside the fire, let my skin and hair and clothes thaw. But I don’t. I follow the sound of the boys. The familiar pitch of their voices. Because something is wrong. Something has changed.

Everything is terrifyingly different.

I pass the marina and the boathouse and Mr. Perkins’s cabin. Light gleams from inside—not just candlelight, but buzzing, humming electricity light. The power has come back on. At the window, Mr. Perkins is gazing out at the snow, and he waves a hand at me, smiling. He didn’t flee down the road to escape the fire—because there is no fire.

I’m not dead. I didn’t drown in the lake. Mr. Perkins can see me.

But something is wrong.

Something that flickers across my mind—just out of reach.

Something I can’t explain.

I move quicker toward the sound of the boys, toward a voice I think might be Oliver’s. And when I reach the cemetery—the odd-shaped land where the dead have been buried—the breath hitches in my lungs.

The boys stand among the graves. All of them.