Back Whistle
Chapters (73)
  1. Cover
  2. Dedication
  3. Prologue
  4. Part IAnnie
  5. One
  6. Two
  7. Three
  8. Four
  9. Five
  10. Six
  11. Seven
  12. Part IIHarry
  13. Eight
  14. Nine
  15. Ten
  16. Eleven
  17. Twelve
  18. Thirteen
  19. Fourteen
  20. Fifteen
  21. Sixteen
  22. Seventeen
  23. Eighteen
  24. Nineteen
  25. Twenty
  26. Twenty-One
  27. Part IIIAnnie
  28. Twenty-Two
  29. Twenty-Three
  30. Twenty-Four
  31. Twenty-Five
  32. Twenty-Six
  33. Twenty-Seven
  34. Twenty-Eight
  35. Twenty-Nine
  36. Thirty
  37. Thirty-One
  38. Thirty-Two
  39. Part IVHarry
  40. Thirty-Three
  41. Thirty-Four
  42. Thirty-Five
  43. Thirty-Six
  44. Thirty-Seven
  45. Thirty-Eight
  46. Thirty-Nine
  47. Forty
  48. Forty-One
  49. Forty-Two
  50. Forty-Three
  51. Forty-Four
  52. Forty-Five
  53. Forty-Six
  54. Forty-Seven
  55. Forty-Eight
  56. Part VAnnie
  57. Forty-Nine
  58. Fifty
  59. Fifty-One
  60. Fifty-Two
  61. Fifty-Three
  62. Fifty-Four
  63. Fifty-Five
  64. Fifty-Six
  65. Fifty-Seven
  66. Fifty-Eight
  67. Fifty-Nine
  68. Sixty
  69. Sixty-One
  70. Acknowledgments
  71. About the Author
  72. Also by Linwood Barclay
  73. About the Publisher

It was a messy sketch, not surprisingly, given that she had drawn it without actually looking at the paper. Even now, it was hard for her to describe where her mind had gone while she was drawing. She’d been looking up at the sky, through the two skylights, imagining, perhaps, that she was a bird, flying around up there, gazing down upon the house from the heavens. In the past, when she’d experimented with automatic drawing—clearing her head, letting her fingers seemingly work independently of her brain—she’d never had much to show for it.

Today had been different.

This was no adorable penguin she’d sketched.

She had drawn the man from Penn Station.

He was a kind of hybrid. Part rat, part coyote, with a dash of werewolf added to the mix.

He had a human-like figure, but with the rat-wolf head. Not some cute, Disney-like rat (or wolf), either. This was a nasty piece of work with piercing eyes and small, sharp, piranha-like teeth that could nibble off your fingers in an instant. He (she assumed it was a he) was dressed in a kind of long jacket, like a trench coat, and his feet were bare. They were oversized and furry, with long ragged nails. A bushy tail curled up from under the coat.

“Good luck turning him into a bestseller,” she heard John say in the back of her mind.

As rough as the sketch was, Annie had to admit that, from a purely professional standpoint, it was not half bad. If you were out to create a cartoon villain, you could do a lot worse.

But what in Annie’s subconscious had led her to put this image on a sheet of paper? What had prompted her to dredge up a distant memory from childhood that might not even have been real? Sure, she’d endured the worst year ever. She’d suffered guilt, she’d endured loss. Was this how it manifested itself?

She sat in the chair, picked up the pencil, and refined some of the character’s features. Made the teeth more individual, sharper. Worked some creases into the trench coat. Added some little hairs to the feet.

Were the creative impulses within her trying to send a message? Were they telling her to retire Pierce permanently? Was it time to abandon cute for creepy?

Take that pain. Take that hurt. Turn it into something.

Was that what was happening?

She put down the pencil and managed a smile. She imagined the look on Fin’s face when she told him she was abandoning a cute penguin for this nightmarish character. He’d have a heart attack. Even if she had no intention of switching gears, it would still be fun to tell him.