Back Where the Bodies are Buried
Chapters (49)
  1. Also by Christopher Brookmyre
  2. COPYRIGHT
  3. Contents
  4. Dedication
  5. Acknowledgements
  6. The Loneliness and the Scream
  7. Jasmine Screws Up
  8. Whodunit
  9. The Presence of Absence
  10. Machinery
  11. The Long View
  12. A Whole Child Ago
  13. Motives
  14. Baby Steps and Dainty Feet
  15. Higher Powers
  16. Asylum
  17. This Dark Place
  18. View from a Dead End
  19. The Mercy of the Court
  20. Run to Ground
  21. Explosive Information
  22. The Abandoned
  23. Played
  24. Witness
  25. Identity
  26. Fire-Damaged
  27. Lost in the Swamp
  28. Darken the Memory
  29. Naming the Sins
  30. Stolen Glances
  31. Beyond the Visible Spectrum
  32. The Biggest Gang in Glasgow
  33. Infrared and Sonic Boom
  34. That Golden Rule
  35. Quiet Little Voices
  36. Clarity
  37. Listening to Fear
  38. Locust in Flight
  39. Phantoms
  40. Secret Trades
  41. Names on a Page
  42. Two Porcupines Making Love
  43. Sins of the Father
  44. Old School
  45. A One-Way Trip to the Campsies
  46. Family (i)
  47. Family (ii)
  48. Forgiveness
  49. Four Words

Strictly speaking, there was no need to keep confirming call signs on a two-man follow, but Jim had insisted upon it to get her into the habit. At this rate, she’d have it down by around this time next year.

‘Delta Seven, yes yes. Making ground. I can take eyeball when he turns.’

Looking conspicuously unlike a cop or an ex-cop, and bearing no resemblance whatsoever to a private investigator (particularly in the way she practised her new-found profession of private investigation), it had been Jasmine’s job on Monday to hit the front doors.

It had happened at the second address. The first address was a dud: the ex-girlfriend who was meant to be living there had sold up two years back. Jim had had his doubts about it in any case, but they’d given it a shot as it was en route to the place on which they had the soundest intel. Technically, the second address was actually addresses two through ten, as it was a three-storey tenement in Partick and they only had the number of the building, not the flat.

‘Foxtrot Five. Subject vehicle has turned right right right and is proceeding west on Great George Street. Subject vehicle now indicating offside. Over to you, Delta Seven.’

‘Delta Seven confirms the eyeball. Subject vehicle entering Lillybank Gardens, which is a one-way crescent. He’s looking to park.’

‘Yes yes.’

As Jim had explained, you need a story when you’re going around knocking on strangers’ doors, asking after people who don’t want to be found. Most people will just tell you – truthfully – that they don’t know who you’re talking about, but occasionally they’ll want to know why you’re asking, because they are the subject, or because they know the subject personally. You need to keep it simple, avoid extraneous detail and extrapolation. It was much the same principle as something she’d been taught at drama school, regarding acting on film or television: never do anything you can’t repeat precisely for ten more takes.

Jim had fed her a solid, time-proven script that he assured her would serve her for most occasions. She was looking for someone who had served in the navy alongside her father. The old man had retired a few months back and was trying to organise a reunion among the old shipmates with whom he had lost touch. When she eyeballed the subject and he confirmed his name, her out was that she had the wrong Peter Harper, this one being evidently too young. Sorry to trouble you, then out the door with the establish committed to the hidden video camera’s electronic memory.