Back When the Apricots Bloom
Chapters (35)
  1. Title Page
  2. Copyright Page
  3. CHAPTER 1
  4. CHAPTER 2
  5. CHAPTER 3
  6. CHAPTER 4
  7. CHAPTER 5
  8. CHAPTER 6
  9. CHAPTER 7
  10. CHAPTER 8
  11. CHAPTER 9
  12. CHAPTER 10
  13. CHAPTER 11
  14. CHAPTER 12
  15. CHAPTER 13
  16. CHAPTER 14
  17. CHAPTER 15
  18. CHAPTER 16
  19. CHAPTER 17
  20. CHAPTER 18
  21. CHAPTER 19
  22. CHAPTER 20
  23. CHAPTER 21
  24. CHAPTER 22
  25. CHAPTER 23
  26. CHAPTER 24
  27. CHAPTER 25
  28. CHAPTER 26
  29. CHAPTER 27
  30. CHAPTER 28
  31. CHAPTER 29
  32. CHAPTER 30
  33. CHAPTER 31
  34. AUTHOR’S NOTE
  35. Discussion Questions

Ally followed her up the marble stairs, nose twitching at the peculiar perfume that lingered in Miriam’s wake. It was only once they crossed the roof terrace and entered the studio that she realized it wasn’t perfume but the scent of linseed oil, charcoal, and loamy oil paints embedded in Miriam’s hair and caftan.

At the far end of the room, sunlight streamed through the windows and made a million dust motes dance. The walls were papered with paintings, sketches, old photos, and pictures torn from magazines. Paintbrush bouquets protruded from tin cans. Shelves held jars of nails, screws and bolts, coiled lengths of copper wire, bottles of ink, a hammer, saw, and pliers. Stacks of old newspapers rotted in the corner.

A dozen flimsy watercolors had been strung up on a line to dry, all with the same snorting horse galloping through sand dunes, watched on by a dark-eyed woman in a translucent veil. Miriam eyed them disdainfully.

“A first-grade art student could produce this rubbish, but it’s the only thing that sells nowadays.” She stopped short. “That’s not what you’re here for, is it?”

Clumsy with nerves, Ally rifled through her handbag and removed the figurine of a woman transforming into a dove.

“I bought this recently.” She held it forth, like a peace offering.

Miriam plucked a pair of spectacles from a pocket in her caftan. She turned the figurine upside down and squinted at the markings on its base. A small snort of recognition escaped her lips.

“I don’t work much with brass anymore. Too expensive.” She glanced at Ally. “Is that what you want? Another figure like this?”

“Uh, not exactly. I have something else you created.” Ally pulled the photo of her mother from her bag. Her fingers trembled. “Do you remember taking this picture?”

Miriam inspected the photo quietly. She flipped it over and read the inscription, then eyed the faded image again. Ally’s blood rushed in her ears. The twirling dust motes reminded her of musty light in her mother’s bedroom. The turpentine and moldering newspapers smelled like disinfectant and despair. She remembered her mother reaching out to stroke her face and almost cried out at the memory of how she turned away.

Miriam glanced up at her.

“I should have seen it earlier.” Her eyes glowed like tiny torches. “You’re Bridget’s daughter, aren’t you?”

“You remember my mother?”

Miriam took another long look at the photo, then returned it to Ally’s hand.

“I didn’t know her well. Not really.”

“But you took the photo, right?” Ally refused to let this turn into another dead end. “Do you remember anything about that day?”

Miriam began to pace back and forth, caftan swishing at her feet.