“I had another dream,” she says.

Cash props himself up on his elbows in bed. His blond hair is messy and he’s growing a beard; he hasn’t shaved since they left the island. Irene has put him in the grandest of her five guest rooms, the Excelsior suite, she calls it. It has dark, raised-panel walls with a decorative beveled edge at the chair rail and an enormous Eastlake bed with a fringed canopy. There’s also a stained-glass transom window that Irene got for a steal at a tiny antiques shop in Solon, Iowa, and a silk Persian rug in burgundy and cream that she purchased from a licensed dealer in Chicago. (She’d thought Russ might veto a five-figure rug, but he told her to go ahead, get it, whatever made her happy.) Irene’s favorite piece in the room is a wrought-iron washstand that holds a ceramic bowl edged in gold leaf; above it hangs a photograph of Russ’s mother, Milly, as a young girl in Erie, Pennsylvania, in 1928. Irene remembers the joy and pride she’d felt in refurbishing this room—every room in the house, really—but at this instant, she can’t understand why. The Victorian style seems so heavy, so overdone, so tragic.

Irene has abandoned the master bedroom; she will never be able to sleep there again. Since she returned from St. John, she’s been using the smallest guest room, originally meant to be quarters for a governess. It’s up on the third floor, across from the attic. The attic is crammed with the bargains Irene scored at flea markets but couldn’t find a place for in the house along with all the furniture from their former home, since Russ refused to let her take it to Goodwill. Russ had remarked many times that he would have been just as happy staying in their modest ranch on Clover Street, and Irene had thought him crazy. Of course, that was before she realized that Russ had a second life elsewhere.

The governess’s room had been all but neglected in the renovation. Irene had simply painted the walls sky blue and furnished it with a white daybed and a small Shaker dresser. Now she appreciates the room’s simplicity and its isolation. She feels safe there—although she can’t seem to hide from these dreams.

“Dad was alive?” Cash asks.