Chapters (69)
- PROLOGUE: KERRICK
- BOOK ONE
- CHAPTER ONE
- CHAPTER TWO
- CHAPTER THREE
- CHAPTER FOUR
- CHAPTER FIVE
- CHAPTER SIX
- CHAPTER SEVEN
- CHAPTER EIGHT
- CHAPTER NINE
- CHAPTER TEN
- CHAPTER ELEVEN
- CHAPTER TWELVE
- CHAPTER THIRTEEN
- CHAPTER FOURTEEN
- CHAPTER FIFTEEN
- CHAPTER SIXTEEN
- CHAPTER SEVENTEEN
- CHAPTER EIGHTEEN
- CHAPTER NINETEEN
- CHAPTER TWENTY
- CHAPTER TWENTY-ONE
- CHAPTER TWENTY-TWO
- CHAPTER TWENTY-THREE
- CHAPTER TWENTY-FOUR
- CHAPTER TWENTY-FIVE
- CHAPTER TWENTY-SIX
- CHAPTER TWENTY-SEVEN
- BOOK TWO
- CHAPTER ONE
- CHAPTER TWO
- CHAPTER THREE
- CHAPTER FOUR
- CHAPTER FIVE
- CHAPTER SIX
- CHAPTER SEVEN
- CHAPTER EIGHT
- CHAPTER NINE
- CHAPTER TEN
- CHAPTER ELEVEN
- CHAPTER TWELVE
- CHAPTER THIRTEEN
- CHAPTER FOURTEEN
- CHAPTER FIFTEEN
- CHAPTER SIXTEEN
- CHAPTER SEVENTEEN
- CHAPTER EIGHTEEN
- CHAPTER NINETEEN
- CHAPTER TWENTY
- CHAPTER TWENTY-ONE
- CHAPTER TWENTY-TWO
- CHAPTER TWENTY-THREE
- CHAPTER TWENTY-FOUR
- CHAPTER TWENTY-FIVE
- CHAPTER TWENTY-SIX
- CHAPTER TWENTY-SEVEN
- CHAPTER TWENTY-EIGHT
- CHAPTER TWENTY-NINE
- CHAPTER THIRTY
- CHAPTER THIRTY-ONE
- CHAPTER THIRTY-TWO
- CHAPTER THIRTY-THREE
- THE WORLDWEST OF EDEN
- YILANÈ
- TANU
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
- About this Title
“Alipol is busy at his art as always,” he said and hurried on. Kerrick did not understand the expression, most of the males were worse than fargi in the crudeness of their language, but what he had said had to do with beauty, of making things, of new objects. Alipol did not appear that day, so on the next visit Kerrick displayed his curiosity.
“Art is of greatest importance, perhaps the greatest thing that there is,” Alipol said. “But these stupid young males don’t know that, and certainly the brutal females would have no idea of its existence.”
Alipol, and the other males, always referred to the females in this manner, with a mixture of fear and respect that Kerrick could never understand. Nor would they explain it to him, so he had long since ceased asking.
“Please tell me,” Kerrick said, with curiosity and interest, which Alipol accepted with a certain suspicion.
“A rare attitude,” he said, then made his mind up. “Stay here and I will show you what I do.” He started away, then turned back. “Have you ever seen a nenitesk?”
Kerrick did not understand the relevancy of the question, though he agreed that he had indeed seen the great beasts. Alipol left and returned with an object that had Kerrick expressing unconcealed joy and pleasure. In turn Alipol’s own pleasure was beyond belief. “You see what others don’t see,” he said simply. “They have no eyes, no understanding.”
Alipol had his hands joined before him, all four thumbs turned up to form a bowl. Resting upon them was the delicately formed image of a nenitesk, glowing brightly in the sunlight and seemingly woven from beams of light. The eyes were shining red, while every line of tail and horn, great shield and stumpy legs had been caught in glowing radiance. Kerrick bent close to see that the tiny creature was formed from thin strands of some shining material, woven together to form the intricate object. He reached out a questing finger and found it hard to the touch.
“What is it? How do you do it? I’ve never seen anything like it before.”
“Woven of wire, silver and gold wire. Two metals that never grow dim. The eyes are small gems that I brought with me from Inegban*. They are found in streams and banks of clay, and I have the skills to polish them.”
After that Alipol showed Kerrick other things he had made: all of them were marvels. Kerrick could appreciate art and he longed to have one of them, but dared not express his desire lest it interfere with the friendship they had formed.