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Chapters (65)
  1. Title Page
  2. Copyright Notice
  3. Dedication
  4. One
  5. Two
  6. Three
  7. Four
  8. Five
  9. Six
  10. Seven
  11. Eight
  12. Nine
  13. Ten
  14. Eleven
  15. Twelve
  16. Thirteen
  17. Fourteen
  18. Fifteen
  19. Sixteen
  20. Seventeen
  21. Eighteen
  22. Nineteen
  23. Twenty
  24. Twenty–one
  25. Twenty–two
  26. Twenty–three
  27. Twenty–four
  28. Twenty–five
  29. Twenty–six
  30. Twenty–seven
  31. Twenty–eight
  32. Twenty–nine
  33. Thirty
  34. Thirty–one
  35. Thirty–two
  36. Thirty–three
  37. Thirty–four
  38. Thirty–five
  39. Thirty–six
  40. Thirty–seven
  41. Thirty–eight
  42. Thirty–nine
  43. Forty
  44. Forty–one
  45. Forty–two
  46. Forty–three
  47. Forty–four
  48. Forty–five
  49. Forty–six
  50. Forty–seven
  51. Forty–eight
  52. Forty–nine
  53. Fifty
  54. Fifty–one
  55. Fifty–two
  56. Fifty–three
  57. Fifty–four
  58. Fifty–five
  59. Fifty–six
  60. Fifty–seven
  61. Author’s Note
  62. Acknowledgments
  63. Also by Becky Masterman
  64. About the Author
  65. Newsletter Sign-up

“Look at the linguistics. ‘Howsoever’? Bit of archaic elegance. Except for the several misspellings there’s an articulateness here that’s far beyond what I’ve known of Richard Hickock. It doesn’t sound like the voice of Hickock as Capote portrays it. Look, he spelled ‘supersedes’ wrong, but it’s a marvel that the word is in his working vocabulary. Keep in mind I’ve read the book as well, and saw the movies, too, not only because everyone did, but because I was working at the same prison that executed these men. Smith’s style has a poetic lilt to it when Capote quotes him, but Hickock has the voice of a…”

“Depraved, ignorant savage?”

“Yes. That.”

“Well, the interesting thing is that this style actually matches other letters Hickock wrote in prison, which makes the letter feel more authentic. Plus you got it from Santangelo. Santangelo must have got it from Hickock and tucked the letter behind the sketch for safekeeping.” I felt goose bumps rising on my forearms. “Oh my God, I know someone who knew someone who was one of the last people to speak with Hickock just before his execution.”

“Santangelo is definitely the priest who visited Hickock. He told me about it, but he didn’t break the seal of confession. Like I said, when it came up in conversation I didn’t tell you because I wanted to hand you the framed sketch at the same time.”

I felt myself stutter over my next words, aware of what they might mean. “He must have had the confession, too. He didn’t give it to you?”

“No, he didn’t. At least not that I can remember. There might have been something else.”

“Like what, exactly?”

“I don’t know. Some other information he said he couldn’t share. But he would send me things from time to time. Books. Articles he’d written that he wanted me to comment on.”

“And you’ve never wondered about what information he might have on the Clutter case? Probably in the top five homicide cases of the twentieth century? Up there with Charles Manson and Jeffrey Dahmer?”

“Oh, Brigid, stop. Not everyone in the country continues to be obsessed with the Clutter case. It happened when you and I were both kids. When Vic gave this to me it was about fifteen years after the events and he might not have remembered he put the letter with it. And neither of us were thinking about the case.” The corner of Carlo’s mouth went up on one side as he said, “I wasn’t thinking about much of anything except Jane.”

“It had to mean something to Santangelo. Otherwise why give it to you?”