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Chapters (39)
  1. Title Page
  2. Introduction
  3. PART I - The Chopin Manuscript
  4. 1 - JEFFERY DEAVER
  5. 2 - DAVID HEWSON
  6. 3 - JAMES GRADY
  7. 4 - S. J. ROZAN
  8. 5 - ERICA SPINDLER
  9. 6 - JOHN RAMSEY MILLER
  10. 7 - DAVID CORBETT
  11. 8 - JOHN GILSTRAP
  12. 9 - JOSEPH FINDER
  13. 10 - JIM FUSILLI
  14. 11 - PETER SPIEGELMAN
  15. 12 - RALPH PEZZULLO
  16. 13 - LISA SCOTTOLINE
  17. 14 - P. J. PARRISH
  18. 15 - LEE CHILD
  19. 16 - JEFFERY DEAVER
  20. 17 - JEFFERY DEAVER
  21. PART II - The Copper Bracelet
  22. 1 - JEFFERY DEAVER
  23. 2 - GAYLE LYNDS
  24. 3 - DAVID HEWSON
  25. 4 - JIM FUSILLI
  26. 5 - JOHN GILSTRAP
  27. 6 - JOSEPH FINDER
  28. 7 - LISA SCOTTOLINE
  29. 8 - DAVID CORBETT
  30. 9 - LINDA BARNES
  31. 10 - JENNY SILER
  32. 11 - DAVID LISS
  33. 12 - P. J. PARRISH
  34. 13 - BRETT BATTLES
  35. 14 - LEE CHILD
  36. 15 - JON LAND
  37. 16 - JAMES PHELAN
  38. 17 - JEFFERY DEAVER
  39. Copyright Page

A grimace appeared on the inspector’s heavily lined face. “Ah, it’s always the same story wherever you look. Poles versus the Russians. Arabs versus the Jews. Americans versus”—a smile—“everyone.”

Middleton ignored him. “The Twenty-First supposedly had another job too. With the fall of Italy and an Allied invasion a sure thing, Himmler and Goering and other Nazis who’d been looting art from Eastern Europe wanted secure places to hide it—so that even if Germany fell, the Allies couldn’t find it. The Twenty-First reportedly brought truckloads to Kosovo. Made sense. A small, little populated, out-of-the-mainstream country. Who’d think to look there for a missing Cezanne or Manet?

“What the British general had found was an old Eastern Orthodox church. It was abandoned years ago and being used as a dormitory for displaced Serbs by a U.N. relief organization. In the basement his soldiers unearthed 50 or 60 boxes of rare books, paintings and music folios.”

“My, that many?”

“Oh, yes. A lot was damaged, some beyond repair, but other items were virtually untouched. I didn’t know much about the paintings or the books, but I’d studied music history in college and I’ve collected recordings and manuscripts for years. I got the okay to fly up and take a look.”

“And what did you find?”

“Oh, it was astonishing. Original pieces by Bach and his sons, Mozart, Handel, sketches by Wagner—some of them had never been seen before. I was speechless.”

“Valuable?”

“Well, you can’t really put a dollar value on a find like that. It’s the cultural benefit, not the financial.”

“But still, worth millions?”

“I suppose.”

“What happened then?”

“I reported what I’d found to the British and to my general, and he cleared it with Washington for me to stay there for a few days and catalog what I could. Good press, you know.”

“True in police work too.” The cigarette got crushed out forcefully under a yellow thumb, as if Padlo were quitting forever.

Middleton explained that that night he took all the manuscripts and folios that he could carry back to British quarters in Pristina and worked for hours cataloging and examining what he’d found.

“The next morning I was very excited, wondering what else I’d find. I got up early to return . . . ”

The American stared at a limp yellow file folder on the inspector’s desktop, the one with three faded checkmarks on it. He looked up and heard Padlo say, “The church was St. Sophia.”

“You know about it?” Middleton was surprised. The incident had made the news but by then—with the world focusing on the millennium and the Y2K crisis, the Balkans had become simply a footnote to fading history.

“Yes, I do. I didn’t realize you were involved.”