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Chapters (39)
  1. Title Page
  2. Introduction
  3. PART I - The Chopin Manuscript
  4. 1 - JEFFERY DEAVER
  5. 2 - DAVID HEWSON
  6. 3 - JAMES GRADY
  7. 4 - S. J. ROZAN
  8. 5 - ERICA SPINDLER
  9. 6 - JOHN RAMSEY MILLER
  10. 7 - DAVID CORBETT
  11. 8 - JOHN GILSTRAP
  12. 9 - JOSEPH FINDER
  13. 10 - JIM FUSILLI
  14. 11 - PETER SPIEGELMAN
  15. 12 - RALPH PEZZULLO
  16. 13 - LISA SCOTTOLINE
  17. 14 - P. J. PARRISH
  18. 15 - LEE CHILD
  19. 16 - JEFFERY DEAVER
  20. 17 - JEFFERY DEAVER
  21. PART II - The Copper Bracelet
  22. 1 - JEFFERY DEAVER
  23. 2 - GAYLE LYNDS
  24. 3 - DAVID HEWSON
  25. 4 - JIM FUSILLI
  26. 5 - JOHN GILSTRAP
  27. 6 - JOSEPH FINDER
  28. 7 - LISA SCOTTOLINE
  29. 8 - DAVID CORBETT
  30. 9 - LINDA BARNES
  31. 10 - JENNY SILER
  32. 11 - DAVID LISS
  33. 12 - P. J. PARRISH
  34. 13 - BRETT BATTLES
  35. 14 - LEE CHILD
  36. 15 - JON LAND
  37. 16 - JAMES PHELAN
  38. 17 - JEFFERY DEAVER
  39. Copyright Page

She jumped as her cell phone rang. She stretched her leg and snapped it quickly from her belt. “This is Connolly.”

“Hello, Buttercup.”

She walked toward a corner, away from the kitchen staff ’s prying eyes. “Padlo,” she said, her voice barely above a whisper. “Where are you?”

“Sono a Roma,” he replied, his Italian accented with as much American English as his native Polish. “Someone wants to say hello.”

“Josef, wait—”

“Oh, and by the way, his English is . . . Actually, it’s non-existent.”

Connolly sighed as Faust and Middleton continued in her other ear.

“Buona sera, Signora Connolly,” an old man said nervously. “Il mio nome è Abe Nowakowski. Posso aiutarlo con il vostro commercio.”

“I’m sorry—‘Commercio’? I don’t—”

“Business,” Padlo said, taking the heavy black handset in the old man’s shop. “Which is still finding Middleton, I presume.”

“I’ve got Middleton,” Padlo heard her say. “And Faust.”

When Padlo repeated the names, the old man recoiled.

“They are together?” Padlo asked.

“Together, and negotiating.”

Nowakowski, who had lived in terror since the moment he first saw the Mozart score, said, “Dove è il Felicia?”

Padlo saw that the old man trembled. “A young girl,” the deputy said to Connolly. “Felicia Kaminski. Jedynak’s niece.” Recalling her photo, he began to describe her.

“She’s not here,” Connolly said.

“Harbor Court,” the old man told Padlo.

Padlo repeated the hotel’s name.

Not now, Connolly thought as she shut her cell phone.

Out in the dining room, Faust had made his play.

Faust said, “My father was a relatively old man when he married my mother. They met at a type of tango bar we call milangas in Buenos Aires. A scratchy Carlos Gardel record, seductive glances filled with subverted desire. Invitations to dance made with simple nods. The intense courtship begins with toe-tangling turns and kicks under crystal chandeliers. Before they speak, it seems to my father that they’re making love.”

“What’s your father got to do with this?”

“As a young man, my father was a chemist in Poland. He said my mother reminded him of his first wife, a gypsy, Zumella. She died in Europe during the war.”

“Along with million and millions of others. If we didn’t stop that mad-man we’d all be speaking German.”

“He called my mother Jolanta—violet blossom. He was a sentimental man. He met his first wife selling violet blossoms in Castle Square in Warsaw.”

“I fail to see what this—”

“Colonel Middleton, in all your travels or investigations for the government have you ever heard the name Projekt 93?”

“I don’t believe I have.”

“Are you familiar with the work of Gerhard Schrader?”

Middleton shook his head.

“A German chemist who experimented with chemical agents. He invented Tabun, which was originally used to kill insects, then adapted as a lethal weapon against mankind. The Nazis produced twelve-thousand tons of the stuff at a secret plant in Poland, code named Hockwerk.”