Chapters (39)
- Title Page
- Introduction
- PART I - The Chopin Manuscript
- 1 - JEFFERY DEAVER
- 2 - DAVID HEWSON
- 3 - JAMES GRADY
- 4 - S. J. ROZAN
- 5 - ERICA SPINDLER
- 6 - JOHN RAMSEY MILLER
- 7 - DAVID CORBETT
- 8 - JOHN GILSTRAP
- 9 - JOSEPH FINDER
- 10 - JIM FUSILLI
- 11 - PETER SPIEGELMAN
- 12 - RALPH PEZZULLO
- 13 - LISA SCOTTOLINE
- 14 - P. J. PARRISH
- 15 - LEE CHILD
- 16 - JEFFERY DEAVER
- 17 - JEFFERY DEAVER
- PART II - The Copper Bracelet
- 1 - JEFFERY DEAVER
- 2 - GAYLE LYNDS
- 3 - DAVID HEWSON
- 4 - JIM FUSILLI
- 5 - JOHN GILSTRAP
- 6 - JOSEPH FINDER
- 7 - LISA SCOTTOLINE
- 8 - DAVID CORBETT
- 9 - LINDA BARNES
- 10 - JENNY SILER
- 11 - DAVID LISS
- 12 - P. J. PARRISH
- 13 - BRETT BATTLES
- 14 - LEE CHILD
- 15 - JON LAND
- 16 - JAMES PHELAN
- 17 - JEFFERY DEAVER
- Copyright Page
“You screwed with it,” he spat. “Bad girl. You ought to know your place.” He stared at his own clothes: a grimy overcoat that stank of sweat and urine, with a belt made, perhaps a little theatrically, out of rope. “One little step up from me. Nothing more.”
Then he threw a single euro in her violin case and stomped off toward Largo Argentina, the open space where she used to catch the bus back home, fascinated always by the wrecked collection of ancient temples there—a ragged, shapeless gathering of columns and stones populated by a yowling community of feral cats, a piece of history only she and the passing tourists seemed to notice any more. She didn’t like cats. They were bold, aggressive, insistent, climbing into her fiddle case when it was open to collect money. So she kept a small water pistol, modeled on something military, alongside her music and rosin, and used it to shoo them away when the creatures became too persistent.
The bum caught up with her four times after that. Twice at the Trevi Fountain. Once in the Campo dei Fiori. Once outside the new museum for the Ara Pacis, the peace monument erected by Augustus that now lived in a modern, cubist home by the hectic road running alongside the Tiber. She was surprised to see him there. It didn’t seem the usual kind of place for street people, and she caught him staring through the windows, engrossed in the beautifully carved monument inside she had only glimpsed from the street too, since paying the entrance fee was beyond her. Homeless men rarely looked at Imperial Roman statuary, she thought. Most of them never looked much at anything at all.
And now he was back near her again—on this hot, sunny summer morning in the Via delle Botteghe Oscure at the weekly market her uncle had told her about. It took place at the foot of the Via dei Polacchi—the street of Poles—and made her homesick every time she went. This was where the poor, migrant Polish community gathered in an impromptu bazaar that was part economic necessity, part reaffirmation of their distant roots. There were cars and vans, all rusty, all belching diesel as they arrived bearing plates from Warsaw and Gdansk. Quickly, not wishing to draw the attention of the police, they threw open their doors and trunks and began selling all the goods that Polish immigrants could not find or, more likely, afford in their new home: spirits and sausage, ham and pastries; some clearly homemade, a few possibly illegal.