Chapters (39)
- Title Page
- Introduction
- PART I - The Chopin Manuscript
- 1 - JEFFERY DEAVER
- 2 - DAVID HEWSON
- 3 - JAMES GRADY
- 4 - S. J. ROZAN
- 5 - ERICA SPINDLER
- 6 - JOHN RAMSEY MILLER
- 7 - DAVID CORBETT
- 8 - JOHN GILSTRAP
- 9 - JOSEPH FINDER
- 10 - JIM FUSILLI
- 11 - PETER SPIEGELMAN
- 12 - RALPH PEZZULLO
- 13 - LISA SCOTTOLINE
- 14 - P. J. PARRISH
- 15 - LEE CHILD
- 16 - JEFFERY DEAVER
- 17 - JEFFERY DEAVER
- PART II - The Copper Bracelet
- 1 - JEFFERY DEAVER
- 2 - GAYLE LYNDS
- 3 - DAVID HEWSON
- 4 - JIM FUSILLI
- 5 - JOHN GILSTRAP
- 6 - JOSEPH FINDER
- 7 - LISA SCOTTOLINE
- 8 - DAVID CORBETT
- 9 - LINDA BARNES
- 10 - JENNY SILER
- 11 - DAVID LISS
- 12 - P. J. PARRISH
- 13 - BRETT BATTLES
- 14 - LEE CHILD
- 15 - JON LAND
- 16 - JAMES PHELAN
- 17 - JEFFERY DEAVER
- Copyright Page
The swarthy man, born in New Delhi and now, he liked to think, now a resident of the world, was observing the family through expensive binoculars from a hundred yards away, in the hills above the beach. He was parked in a rented Fiat, listening to some syrupy French pop music. He was taking in the gray water, the gray sky, looking for signs of gendarmes or the ubiquitous governmental functionaries that materialized from nowhere in France to ask for your passport or identity card and snidely demand your business.
But there was no one about. Except the families.
As he studied them, Balan was wondering too about a question much on his mind the past few days: how he would feel about killing a whole family. The adults were not a problem, of course, even the women. He’d killed women without a single fleck of remorse. But the younger couple’s baby—yes, that murder would bother him.
He’d lain awake last night, considering the dilemma. Now, watching the young mother rock the infant’s bassinette absently, he came to a decision. Balan had been instructed to leave no one alive, but that was because of the need to eliminate anyone with certain information. He hadn’t seen the baby, but it couldn’t be more than a year old. It could hardly identify him, nor would it have retained any conversation between the adults. He would spare the child.
Balan would tell his mentor that he’d grown concerned about somebody approaching as he’d been about to kill the child and had left the beach quickly so he wouldn’t be detected. This wasn’t unreasonable, and wasn’t a complete lie. There were houses here, cars and trucks passing nearby. Even though the beaches were deserted, people still lived in the area year round.
There. He’d decided. Balan felt better.
And he concentrated more closely on the task before him.
The families were enjoying themselves, laughing. His ultimate target—the American husband in his fifties—joked with his wife, who was a bit younger. Not classically beautiful, but exotic, with long dark hair. She reminded Balan of an older Kareena Kapoor, the Bollywood film star. Thinking this, he felt a wave of contempt course through him at these people. Americans . . . they had no idea of the richness of Indian cinema (no American he’d ever met even knew that that Bombay supplied the “B” for Bollywood, which, they also didn’t know, was only a part of the nation’s film industry). Nor did they understand Indian culture in general, the depth of its history and its spiritual life. Americans thought of India as customer-service call centers, curry and “Slumdog Millionaire.”