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Chapters (36)
  1. Title Page
  2. Chapter One. Sandra and Bose
  3. Chapter Two. Turk Findley’s Story
  4. Chapter Three. Sandra and Bose
  5. Chapter Four. Treya’s Story / Allison’s Story
  6. Chapter Five. Sandra and Bose
  7. Chapter Six. Turk Findley’s Story
  8. Chapter Seven. Sandra and Bose
  9. Chapter Eight. Allison’s Story
  10. Chapter Nine. Sandra and Bose
  11. Chapter Ten. Turk’s Story
  12. Chapter Eleven. Sandra and Bose
  13. Chapter Twelve. Turk’s Story
  14. Chapter Thirteen. Sandra and Bose
  15. Chapter Fourteen. Turk’s Story
  16. Chapter Fifteen. Sandra and Bose
  17. Chapter Sixteen. Turk’s Story
  18. Chapter Seventeen. Sandra and Bose
  19. Chapter Eighteen. Allison’s Story
  20. Chapter Nineteen. Sandra and Bose
  21. Chapter Twenty. Turk’s Story
  22. Chapter Twenty-One. Sandra and Bose
  23. Chapter Twenty-Two. Allison’s Story
  24. Chapter Twenty-Three. Sandra and Bose
  25. Chapter Twenty-Four. Turk’s Story
  26. Chapter Twenty-Five. Sandra and Bose
  27. Chapter Twenty-Six. Allison’s Story
  28. Chapter Twenty-Seven. Sandra and Bose
  29. Chapter Twenty-Eight. Allison’s Story
  30. Chapter Twenty-Nine. Sandra and Bose
  31. Chapter Thirty. Turk’s Story
  32. Chapter Thirty-One. Sandra
  33. Chapter Thirty-Two. Isaac’s Story / Orrin’s Story / The Sum of All Paths
  34. Acknowledgments
  35. By Robert Charles Wilson from Tom Doherty Associates
  36. Copyright

Orrin Mather’s existence is compromised from the moment of his inglorious conception. His anorexic mother delivers him prematurely. His infant body suffers the agonies of drug withdrawal. He survives, but his mother’s malnutrition and multiple addictions have taken a toll. Orrin will never be able to make and enact plans as easily as others do. He will often be surprised—usually unpleasantly—by the consequences of his actions.

I cannot make him a more perfect human being. That isn’t within my power. All I can give him are words. And by writing these words into the cerebellum of a child, I dissolve myself and make a shadow world real.

He lies sleeping on a mattress on the floor of a rented trailer home. His sister Ariel sits on a plastic chair a few feet away, eating cereal without milk from a chipped bowl, watching television with the sound turned down. Orrin dreams he is walking on a beach, though he has only seen beaches in movies. In his dream he sees something rolling in the surf—a bottle, its green glass faded by years of sunlight and salt water. He picks it up. The bottle is tightly sealed, but it opens, somehow, at his touch

Papers tumble out and unfold themselves in his hand. Orrin hasn’t yet learned to read, but, magically, he can read these words. He reads them all, page after page. What he reads here, he will never forget.

My name is Turk Findley, he reads.

And: My name is Allison Pearl.

And: My name is Isaac Dvali.

*   *   *

My name is Isaac Dvali and

*   *   *

I can’t write this anymore.

*   *   *

My name is Orrin Mather. That’s what my name is.

*   *   *

My name is Orrin Mather, and I work in a greenhouse in Laramie, Wyoming.

In the greenhouse at this nursery where I work, there are paths between the plants and the seedling tables. That’s so you can get from one place to another. Also so you can work on the plants without stepping on them. Those paths all connect with one another. You can go this way or you can go that. It all has the same beginning and the same ending. Though you can only ever stand in one place at once.

I believe I was born with these dreams or memories about Turk Findley and Allison Pearl and Isaac Dvali. They troubled me much when I was younger. They came to me like visions. They blew through me like a wind, as my sister Ariel liked to say.

That’s why I went to Houston on the bus so suddenly. That’s why I wrote down my dreams in my notebooks.