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Victims

Jonathan Kellerman
Chapters (64)
  1. Title Page
  2. Copyright
  3. Contents
  4. CHAPTER1
  5. CHAPTER2
  6. CHAPTER3
  7. CHAPTER4
  8. CHAPTER5
  9. CHAPTER6
  10. CHAPTER7
  11. CHAPTER8
  12. CHAPTER9
  13. CHAPTER10
  14. CHAPTER11
  15. CHAPTER12
  16. CHAPTER13
  17. CHAPTER14
  18. CHAPTER15
  19. CHAPTER16
  20. CHAPTER17
  21. CHAPTER18
  22. CHAPTER19
  23. CHAPTER20
  24. CHAPTER21
  25. CHAPTER22
  26. CHAPTER23
  27. CHAPTER24
  28. CHAPTER25
  29. CHAPTER26
  30. CHAPTER27
  31. CHAPTER28
  32. CHAPTER29
  33. CHAPTER30
  34. CHAPTER31
  35. CHAPTER32
  36. CHAPTER33
  37. CHAPTER34
  38. CHAPTER35
  39. CHAPTER36
  40. CHAPTER37
  41. CHAPTER38
  42. CHAPTER39
  43. CHAPTER40
  44. CHAPTER41
  45. CHAPTER42
  46. CHAPTER43
  47. CHAPTER44
  48. CHAPTER45
  49. CHAPTER46
  50. CHAPTER47
  51. CHAPTER48
  52. CHAPTER49
  53. CHAPTER50
  54. CHAPTER51
  55. CHAPTER52
  56. CHAPTER53
  57. CHAPTER54
  58. CHAPTER55
  59. CHAPTER56
  60. CHAPTER57
  61. Dedication
  62. Acknowledgements
  63. Books by Jonathan Kellerman
  64. ABOUT THE AUTHOR

Title Page

Copyright

Guilt is a work of fiction. Names, characters, places, and incidents are the products of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental.

Copyright © 2013 by Jonathan Kellerman

Published in the United States by Ballantine Books, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York.

BALLANTINE and colophon are registered trademarks of Random House, Inc.

eISBN: 978-0-345-53881-9

Jacket art and design: Scott Biel

v3.1

Contents

Cover

Title Page

Copyright

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

Chapter 49

Chapter 50

Chapter 51

Chapter 52

Chapter 53

Chapter 54

Chapter 55

Chapter 56

Chapter 57

Dedication

Acknowledgements

Other Books by This Author

About the Author

CHAPTER
1

All mine!

The house, the life growing inside her.

The husband.

Holly finished her fifth circuit of the back room that looked out to the yard. She paused for breath. The baby—Aimee—had started pushing against her diaphragm.

Since escrow had closed, Holly had done a hundred circuits, imagining. Loving every inch of the place despite the odors embedded in ninety-year-old plaster: cat pee, mildew, overripe vegetable soup. Old person.

In a few days the painting would begin and the aroma of fresh latex would bury all that, and cheerful colors would mask the discouraging gray-beige of Holly’s ten-room dream. Not counting bathrooms.

The house was a brick-faced Tudor on a quarter-acre lot at the southern edge of Cheviot Hills, built when construction was meant to last and adorned by moldings, wainscoting, arched mahogany doors, quarter-sawn oak floors. Parquet in the cute little study that would be Matt’s home office when he needed to bring work home.

Holly could close the door and not have to hear Matt’s grumbling about moron clients incapable of keeping decent records. Meanwhile she’d be on a comfy couch, snuggling with Aimee.

She’d learned the sex of the baby at the four-month anatomical ultrasound, decided on the name right then and there. Matt didn’t know yet. He was still adjusting to the whole fatherhood thing.

Sometimes she wondered if Matt dreamed in numbers.

Resting her hands on a mahogany sill, Holly squinted to blank out the weeds and dead grass, struggling to conjure a green, flower-laden Eden.

Hard to visualize, with a mountain of tree trunk taking up all that space.

The five-story sycamore had been one of the house’s selling points, with its trunk as thick as an oil drum and dense foliage that created a moody, almost spooky ambience. Holly’s creative powers had immediately kicked into gear, visualizing a swing attached to that swooping lower branch.