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Contents ( 14)
  1. TUMBLE HOME
  2. Dedication
  3. Acknowledgments
  4. Contents
  5. Notes
  6. ABOUT THE AUTHOR

It was hard for me to concentrate as my father showed me the H of the gear box. I was not able to coordinate the clutch, thinking what might happen when we got home. I still can’t drive a car you have to shift. Automatic is what I can manage. Isn’t there enough to pay attention to outside the car? All I want inside a car is music. When a favorite old song comes on the radio, I can never hear it past the first few notes. The song, evocative, will take me to the place and time where I first came to hear it. I’ll be taken over for the length of the song, and returned when it stops, having missed it, only knowing it was there because now it isn’t there. The same thing happens when I think about you. Although the trajectory is different—it is not the past, a past we haven’t shared, but the future I am taken to by how quickly you have left.

I would like to go for a ride with you, have you take me to stand beside a river in the dark where hundreds of lightning bugs blink this code in sequence: right here, nowhere else! Right now, never again!

A good day. The mound in the road was not cat, but tread.

A photographer sat me down in his studio and positioned umbrella lights. He was going to make a portrait. His instructions left me hopeless—I could not look at the camera as though it was my lover. The photographer changed his tack. He said, “Give me your best ‘Fuck you’ look.” The camera, for an instant, was my mother. “Perfect!” the photographer said.

When we can’t sleep, we sneak downstairs and into the chapel, take a front pew, and hope to hear the auditory ghost, the chord that sounds at night when moonlight hits the keys through the windows in the nave. I have yet to hear it, but Chatty says it started the night the actress in the thirties made her escape.

We love our lore.

I wish I was content to think of that hour—innocent hour over cups of tea—as part of my own, a story to pass along. But I am afraid it is like the sprinkling of rain that draws the roots of plants to the surface where the sun then dries them out.

What is enough? What is ever enough?

Across the road there is an apple tree.

Every so often a car will drive past, then come back around and park beneath its branches. People will get out and start to pick the apples, pausing to bite into one, a quality check. They’ll hold out the fronts of their shirts, making hammocks for the apples, and pick and take until apples are spilling out the sides of their shirts, dropping as the people return to their car hunched over from the weight of them. I have seen a woman fill her pleated skirt, then lose every one of them, slipping on the fallen ones on the way back to her car, and drive off without even one in her hand.