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Contents ( 19)
  1. Elizabeth Peters
  2. Trojan Gold
  3. A Vicky Bliss Mystery
  4. Contents
  5. One
  6. Two
  7. Three
  8. Four
  9. Five
  10. Six
  11. Seven
  12. Eight
  13. Nine
  14. Ten
  15. Eleven
  16. About the Author
  17. RAVES FOR ELIZABETH PETERS
  18. Books by Elizabeth Peters
  19. Copyright

However, I do not have a fireplace, so I crammed the papers back into the carton from which they had come and got down to business. The brief journey into nostalgia had convinced me that my hunch was correct, and that I had not overlooked any other possibility. I knew what I was searching for. I had taken the pictures only the year before, but they were jumbled in with all the snapshots I had been meaning to sort and put in albums for ten years, so it took a while to find them. I spread them out across the coffee table.

I am not a good photographer and my camera is a cheap Instamatic, but it is hard to take bad pictures of Garmisch-Partenkirchen when the mountains are capped with snow and the wind blows strong from the south, producing brilliant blue skies and air clear as crystal. Garmisch is in the Bavarian Alps, about sixty miles south of Munich. The Winter Olympics were held there—long before my time—and the facilities provided for the Games have made Garmisch a popular winter resort. It is also an ideal spot for a conference—lots of hotels and meeting rooms, as well as certain sources of entertainment, such as bars and restaurants, which are just as important, even to serious souls like the members of the International Society for the Study of Ancient and Medieval Antiquities.

A group of us had decided to avoid the high-priced hotels of Garmisch in favor of a more picturesque ambiance. The gang of six, Dieter had named us; and it was Dieter—wasn’t it?—who had found the hotel in a small village southeast of Garmisch. Transportation was no problem since three of the group had their own cars, and there was a little, lumbering local bus. Anyway, we didn’t attend many of the meetings.

Gasthaus Hexenhut was as charming as Dieter—if it was Dieter—had claimed. I had taken several pictures of it, with the pointy-topped hill that had given it its name looming up behind it. The sign over the door claimed “seit 1756,” and although the hotel might not have been that old, the building certainly was. It had green shutters and wooden scrollwork under the eaves, and painted sprays of flowering branches encircling the doors and windows. Balconies outside many rooms offered guests spectacular views of mountain scenery, crowned by the perpetual snows of the Zugspitze. The big comfortable rooms were furnished with antiques and with magnificent tile stoves, warmer than central heating. There were down comforters on all the beds, and the restaurant featured food as unpretentious as it was excellent.

I had persuaded one of the waiters to take a picture of the entire group in front of the hotel. There was Tony, towering over the others; me next to him; Dieter next to me—his left hand was behind my head, making a graphically suggestive gesture. Then Elise Cellier of the Louvre, slim and petite in her fancy blue ski outfit. Rosa D’Addio from the University of Turin was as dark as Elise was fair and as sternly intellectual as Elise was frivolous. Sandwiched between them was a man I had known only by reputation until that meeting: Jan Perlmutter from East Berlin. He was built like one of the Greek statues in the museum of which he was an official, but his most conspicuous feature was his hair—tight fair curls that clung closely to his beautifully shaped skull and shone with the rare glint of true red-gold.