The man squinted in the darkness. “You!” he said, voice nearly a squeak.

Mat groaned. “Blood and bloody ashes! Can’t I go anywhere without—”

He cut off as the man lunged, a dagger flashing in the faint moonlight. Mat cursed, and snapped his scarf in front of him. The dagger hit the cloth instead of Mat’s gut, and Mat quickly twisted his hands, tying the assassin’s dagger in lengths of cloth.

The man yelped, and Mat released the scarf and pulled out a pair of knives, one in each hand, releasing them by reflex. They took the assassin in the eyes. One in each eye. Light! Mat had not been aiming for the eyes.

The man collapsed to the wet paving stones.

Mat stood breathing in and out. “Mother’s milk in a cup! Mother’s bloody milk!” He grabbed his quarterstaff, glancing about him, but the gloomy street was empty. “I rescued you. I rescued you, and you try to stab me?”

Mat knelt down beside the corpse. Then, grimly certain what he would find, he fished in the man’s pouch. He came out with a couple of coins—gold coins—and a folded-up piece of paper. Moonlight revealed Mat’s face on it. He crinkled the paper and shoved it in his pocket.

One in each bloody eye. Better than the man deserved. Mat retied his scarf, grabbed his knives, then walked out onto the street, wishing he had left the assassin to his fate.

Birgitte folded her arms, leaning against a marble pillar and watching as Elayne sat enjoying an evening presentation of “players.” Groups like this—acting out stories—had become very popular in Cairhien, and were now trying to achieve the same success in Andor. One of the palace halls, where bards performed, had been adapted to allow the players to act out their stories.

Birgitte shook her head. What was the good of acting out fake stories? Why not go live a few stories of your own? Besides, she’d prefer a bard any day. Hopefully this fashion of seeing “players” would die quickly.

This particular story was a retelling of the tragic marriage and death of the Princess Walishen, slain by beasts of the Shadow. Birgitte was familiar with the ballad that the players had adapted to form their story. In fact, they sang parts of it during the performance. It was remarkable how little that song had changed over the years. Some different names, a few different notes, but the same overall.

Much like her own lives. Repeated over and over, but with little variations. Sometimes she was a soldier. Sometimes she was a forest woman, with no formal military training. She’d been a general once or twice, unfortunately. She’d rather leave that particular job for someone else.

She’d been a guard, a noble thief, a lady, a peasant, a killer and a savior. But she had never before been a Warder. The unfamiliarity didn’t bother her; in most of her lives, she had no knowledge of what had come before. What she could draw from her previous lives now was a boon, yes, but she had no right to those memories.