I sighed and thought back. Doug Portman had updated me weekly on the progress of his investigation. John Richard, who'd been having an affair with a woman in the St. Luke's choir, had enriched Miss Vocal Cords' bank account by a hundred thousand dollars. He'd also put his Keystone ski resort condo in his father's name. Doug had tossed a file on my kitchen table that proved John Richard had paid taxes on a sum several hundred thousand dollars more than what he'd told my lawyer he'd earned. Forensics is the study of evidence, Doug had announced pompously, and I am a master of it. He'd chortled. Now you can prove how much this loser doesn't care what happens to you and your son. Want to go eat Chinese?

Silly me. I'd said yes. At least somebody cares about me, I'd thought. When we went to dinner, Doug brought his portlio: color photographs of his paintings. Over wontons and mu shu pork I commented politely on pictures of large, nonfigurative canvases which seemed to feature dull blotches of drab color. He declared his artwork was going to make him rich. It had been a reasonably painless evening that turned sour when the check came and Doug announced, Your half comes to fifteen bucks. Had I not cooed enough over his artwork? Surely he knew how broke I was? Did he treat all his female clients this way? Nobody, it seemed, wanted to treat me to anything.

The next time Doug presented me with a dismal report on John Richard's assets, he'd followed it with, In the mood for some Italian. After a momento of hesitation while I calculated my cupboard contents, I offered to prepare fettucine Alfredo. He wolfed it down, even asked for the recipe. Over coffee, I was politely enthusiastic as he showed me another fat portfolio, this of his representational paintings. All depicted historical weapons: the repeating rifle, the Colt .45, the bayonet. He said he was hoping to get a New York show for these works. Collectors would pay thousands for each painting! I murmured compliments.

The next week's discouraging report on The Jerk must have engendered some guilt on Doug's part. He pulled out tickets to a Denver showing of military memorabilia. Arch and Doug and I strolled past exhibits of samurai swords, bloodstained maps of battlegrounds, state-of-the-art grenade launchers. I found it boring; six-year-old Arch had been in heaven. Doug sprang for vendor hot dogs outside Currigan Hall. He liberally squirted on ketchup and rattled on about his volunteer work at nearby Capitol Hill. It seemed Doug was campaigning for a friend who was running for the state senate. I dislike guns, I dislike hot dogs, and I find the state senate boring. Arch sagely assessed my mood while pasting mustard on his wiener; on the way home, he asked if the end of my relationship with Doug Portman was in sight.

Through the spinning flakes ahead, the tube of the Eisenhower Tunnel finally yawned. In the lane next to the van, another driver went too fast and careened off the median before straightening out.