Back Thirteen Stories
Chapters (18)
  1. Copyright
  2. Introduction
  3. The Wide Net
  4. Old Mr. Marblehall
  5. Keela, the Outcast Indian Maiden
  6. A Worn Path
  7. Petrified Man
  8. A Still Moment
  9. Lily Daw and the Three Ladies
  10. The Hitch-Hikers
  11. Powerhouse
  12. Why I Live at the P.O.
  13. Livvie
  14. Moon Lake
  15. The Bride of the Innisfallen
  16. Read More from Eudora Welty
  17. About the Author
  18. Connect with HMH on Social Media

There is Mr. Marblehall’s ancestral home. It’s not so wonderfully large—it has only four columns—but you always look toward it, the way you always glance into tunnels and see nothing. The river is after it now, and the little back garden has assuredly crumbled away, but the box maze is there on the edge like a trap, to confound the Mississippi River. Deep in the red wall waits the front door—it weighs such a lot, it is perfectly solid, all one piece, black mahogany. . . . And you see—one of them is always going in it. There is a knocker shaped like a gasping fish on the door. You have every reason in the world to imagine the inside is dark, with old things about. There’s many a big, deathly-looking tapestry, wrinkling and thin, many a sofa shaped like an S. Brocades as tall as the wicked queens in Italian tales stand gathered before the windows. Everything is draped and hooded and shaded, of course, unaffec-tionate but close. Such rosy lamps! The only sound would be a breath against the prisms, a stirring of the chandelier. It’s like old eyelids, the house with one of its shutters, in careful working order, slowly opening outward. Then the little son softly comes and stares out like a kitten, with button nose and pointed ears and little fuzz of silky hair running along the top of his head.

The son is the worst of all. Mr. and Mrs. Marblehall had a child! When both of them were terribly old, they had this little, amazing, fascinating son. You can see how people are taken aback, how they jerk and throw up their hands every time they so much as think about it At least, Mr. Marblehall sees them. He thinks Natchez people do nothing themselves, and really, most of them have done or could do the same thing. This son is six years old now. Close up, he has a monkey look, a very penetrating look. He has very sparse Japanese hair, tiny little pearly teeth, long little wilted fingers. Every day he is slowly and expensively dressed and taken to the Catholic school. He looks quietly and maliciously absurd, out walking with old Mr. Marblehall or old Mrs. Marblehall, placing his small booted foot on a little green worm, while they stop and wait on him. Everybody passing by thinks that he looks quite as if he thinks his parents had him just to show they could. You see, it becomes complicated, full of vindictiveness.