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Contents ( 65)
  1. The Wronged Daughter
  2. Mary Wood
  3. Contents
  4. PART ONE
  5. Blackburn and London, 1920–21
  6. Mags and Harold
  7. Uncertainties Mar Happiness
  8. Chapter One
  9. Chapter Two
  10. Chapter Three
  11. Chapter Four
  12. Chapter Five
  13. Chapter Six
  14. Chapter Seven
  15. PART TWO
  16. Blackburn, 1921
  17. Mags, Harold and Betsy
  18. Hard-Hitting Truth
  19. Chapter Eight
  20. Chapter Nine
  21. Chapter Ten
  22. Chapter Eleven
  23. Chapter Twelve
  24. Chapter Thirteen
  25. Chapter Fourteen
  26. Chapter Fifteen
  27. Chapter Sixteen
  28. Chapter Seventeen
  29. Chapter Eighteen
  30. PART THREE
  31. London, Blackburn and Portpatrick, 1921
  32. Mags, Harold and Montel
  33. Loss Suffered – Love Found
  34. Chapter Nineteen
  35. Chapter Twenty
  36. Chapter Twenty-One
  37. Chapter Twenty-Two
  38. Chapter Twenty-Three
  39. Chapter Twenty-Four
  40. Chapter Twenty-Five
  41. Chapter Twenty-Six
  42. Chapter Twenty-Seven
  43. PART FOUR
  44. Portpatrick and Blackburn, 1924–25
  45. Mags and Montel
  46. A Broken Heart – A Glimmer of Hope
  47. Chapter Twenty-Eight
  48. Chapter Twenty-Nine
  49. Chapter Thirty
  50. Chapter Thirty-One
  51. Chapter Thirty-Two
  52. Chapter Thirty-Three
  53. EPILOGUE
  54. France, 1926
  55. Mags, Flora and Ella
  56. A Reunion
  57. Chapter Thirty-Four
  58. Letter to Readers
  59. Acknowledgements
  60. The Wronged Daughter

‘Everything must be as normal. The plan Iris told us about – that you were to wear her clothes – was ridiculous. If we have a visit from Matron early in the evening, she’ll notice. So you prepare for bed, and go to bed in exactly the same way as allus. When we come for you, you go as you are, in your nightshift. We’ll not have time to go to the cloakroom to get you a coat and, even if we did have time, we wouldn’t, as it would be noted that the coat was missing. And then how do we account for you getting through locked doors, to get the coat? It must look as though you woke up, saw a chance and took it. As it is, we’ll get into trouble for the ward door being unlocked, but we’re going to report an incident that took our attention and say that we didn’t notice you get out.’

Mags just nodded. She didn’t care if she left this building stark naked, as long as she escaped. Please God, let it happen. And please, please, let it succeed and let me get away from here.

PART THREE

London, Blackburn and Portpatrick, 1921

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Mags, Harold and Montel

Loss Suffered – Love Found

Chapter Nineteen

Mags sat in David’s car as he sped away, and her body shivered with cold. The damp night air had bitten through her thin nightshift. Her slippers had soaked up water from the muddy puddles in the grass as they’d sped across to the gate, but her elation made up for all these discomforts.

David squeezed her hand. Mags smiled, keeping her eyes to the front as she dared not, and didn’t want to, look back.

‘I’ve left the coat, hat and shoes that Betsy bought for you out of the suitcase, so that you can put them on top of your nightshift. They’ll warm you up, and you’ll look better going into the hotel in them. I’ll stop when I can, but in the meantime reach for that rug on the back seat and wrap it around you.’

Mags spoke for the first time. ‘Thank you, David.’ The words came out on a sob.

‘There now. Let it out, if you must, but it’s all over. No matter what happens, I’ll never allow you to go back in there.’

Saying ‘Thank you’ once more was all Mags could manage. She felt fragile. The whole scheme, which had given her so much hope, had felt so fragile. She couldn’t believe that she was free. Free, free. Oh God, thank you.

After chatting on this and that, David surprised her by mentioning Montel.

‘I met that young man, Montel. He and Susan didn’t get away with their ploy that I told you about, in one of my notes. Harold didn’t fall for the story that Montel was bringing the baby up north because he couldn’t cope, and he gave Susan an ultimatum. She gave in. Montel is taking the baby back down to London. He was in despair at having his hopes dashed, about rescuing you and riding off into the sunset with you – well, you know what Frenchmen are like, very over-dramatic. Especially as Montel is an artist. A very interesting and talented young man.’