Back The Wolf Den
Chapters (58)
  1. Cover
  2. PRAISE FOR ELODIE HARPER’S
  3. Copyright
  4. Dedication
  5. Author’s note
  6. 74 CE
  7. 1
  8. 2
  9. 3
  10. 4
  11. 5
  12. 6
  13. 7
  14. 8
  15. 9
  16. 10
  17. 11
  18. APRILIS
  19. 12
  20. 13
  21. 14
  22. 15
  23. 16
  24. 17
  25. 18
  26. 19
  27. JULIUS
  28. 20
  29. 21
  30. 22
  31. 23
  32. 24
  33. 25
  34. 26
  35. 27
  36. 28
  37. 29
  38. 30
  39. 31
  40. SEPTEMBER
  41. 32
  42. 33
  43. 34
  44. 35
  45. 36
  46. DECEMBER
  47. 37
  48. 38
  49. 39
  50. 40
  51. 41
  52. 42
  53. 43
  54. 44
  55. ACKNOWLEDGMENTS
  56. Sneak Peek of The House with the Golden Door
  57. 75 CE
  58. 1

Salvius fetches his pipe from the top of a chest, where he had obviously laid it ready for the evening. “Shall we start with our old favorite?” He doesn’t wait for an answer but begins piping the tune of the shepherd and his love.

They all begin to sing, and after the first verse, the awkwardness and sadness begin to fall away. Amara looks at Dido, at the joy on her face, and realizes there is nobody she loves more. Warmth spreads through her. She has never had a friend like Dido. She is the light in the darkness of her life.

They sing song after song, learning new ones from Salvius and performing the tale of Crocus and Smilax for the two men. Aided by their high spirits, it’s an even better performance than the one Cornelius paid for. Amara can feel her cheeks grow hotter, heat spreading through her limbs as she allows herself to drink too much. Is this what life might be like if she were a free woman in Pompeii?

The slave boy is almost falling asleep in the corner and the night sky bright with stars when Priscus finally says, “I should be going home soon.” There is a pause, and the two men look at each other, the signal of a pre-agreed arrangement. Priscus turns to Dido. “Would you do me the honor . . .? Would you be kind enough to join me for a little while?” At least he has the decency to ask as if refusal might be an option, Amara thinks.

“Of course,” Dido says, taking his hand. He leads her from the room, leaving Salvius and Amara alone at the table.

“Would you like some more wine?”

She realizes he is nervous. “Only to join you. Otherwise, I am fine.”

He pours them both a top-up. “I haven’t been with a woman in two years. Since my wife died.” He stops. Amara senses he is not waiting for a reply, only trying to find the right words, so she says nothing. “Sabina loved music,” he says. “You remind me a little of her.”

“I’m sorry. It is terrible to lose one you love.”

Salvius waves a hand, as if to minimize his grief. “I am sure you have lost family too.” She inclines her head, not wishing to speak of her parents, or Aphidnai. He drains his glass and stands. “Well then.” Amara puts her own glass down, untouched, and rises. The slave boy jolts awake as they pass then gets up wearily to clear the table.

Salvius takes a candle to light the way to his bedroom. It’s dark in the narrow corridor, and she picks her way carefully behind him. He pushes open the door. The room is gloomy after the well-lit dinner, but Amara’s eyes adjust, and she makes out a woman’s clothes spread over the bed. She does not ask who they belong to.