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Chapters (31)
  1. Chapter One
  2. Chapter Two
  3. Chapter Three
  4. Chapter Four
  5. Chapter Five
  6. Chapter Six
  7. Chapter Seven
  8. Chapter Eight
  9. Chapter Nine
  10. Chapter Ten
  11. Chapter Eleven
  12. Chapter Twelve
  13. Chapter Thirteen
  14. Chapter Fourteen
  15. Chapter Fifteen
  16. Chapter Sixteen
  17. Chapter Seventeen
  18. Chapter Eighteen
  19. Chapter Nineteen
  20. Chapter Twenty
  21. Chapter Twenty-One
  22. Chapter Twenty-Two
  23. Chapter Twenty-Three
  24. Chapter Twenty-Four
  25. Chapter Twenty-Five
  26. Chapter Twenty-Six
  27. Chapter Twenty-Seven
  28. Chapter Twenty-Eight
  29. Chapter Twenty-Nine
  30. About this book
  31. FLAME TREE PRESS

As I swung the flashlight beam towards the stairs a shape leapt up from the chair – an enlivened shadow. I didn’t know how much longer I could bear to stay in the building, and to prevent myself from fleeing I climbed the stairs at once. Many of them gave way, some with a creak like a tree in a gale, some with a squelch of the carpet. I felt as if the narrow passage had extinguished the summer day, draining all the heat. Shadows mimed the instability of the handrails, which I refrained from touching once I’d nearly dragged the left-hand rail free of the wall with a crunch of sodden plaster. The passage turned back on itself at a boxed-in landing, and a second flight of stairs brought me to the middle floor. Corridors gaped on both sides of me, but the flashlight beam didn’t reach even halfway down either. There was no point in wondering what the darkness further down might hide. The footprints led to the top floor of the hotel.

I was at the enclosed bend at the foot of the last flight of stairs when I realised what I’d somehow failed to appreciate – that there was just one set of prints. Had their maker trodden in them more than once? More grotesquely still, had she walked backwards in them? The idea of someone moving in reverse put me in mind of witchcraft, a similarity I would rather not reflect upon just now. Or did the prints mean she was still upstairs? I held my breath, which had begun to taste of grime, but all I could hear was emptiness or its pretence. “Bella, are you here?” I shouted, and my voice came back flattened, reminding me how shut in I was. Only silence responded, and though it made me feel awaited I followed the tracks and my nervously unsteady light to the top of the hotel.

The footprints led beyond the light into the left-hand corridor. All the doors were open, revealing rooms where objects more shapeless than they ought to be crouched in the dark – beds with disarranged drooping quilts, unless the beds themselves were sagging. Beyond them a face peered out of the lightless depths at me, the same blurred face in every room. When the beam caught the first of them it flinched back before the light erased it. My reflection had recoiled because I had. I shone the beam into each room, where it roused shadows to dance a greeting. Perhaps I was searching for a reason why the corridor was growing so much colder as I advanced. A framed print hung between each pair of rooms, but the images were so obscured by stains that I saw just my own faint image, as though they were parodying Thelma’s portraits of me. The glimpses paced me to the end of the corridor, where the footprints disappeared into the furthest left-hand room.