Contents ( 90)
- PRAISE FOR
- The Winter of the Witch
- PRAISE FOR
- The Girl in the Tower
- PRAISE FOR
- The Bear and the Nightingale
- Contents
- 1.
- Marya Morevna
- 2.
- Reckoning
- 3.
- Nightingale
- 4.
- The Fate of All Witches
- 5.
- Temptation
- 6.
- No Bones, No Flesh
- 7.
- Monster
- 8.
- Between the City and Evil
- 9.
- To Travel by Midnight
- 10.
- The Devil in the Oven
- 11.
- Of Mushrooms
- 12.
- Bargaining
- 13.
- Baba Yaga
- 14.
- Vodianoy
- 15.
- Farther, Stranger Countries
- 16.
- The Chains of the Winter-King
- 17.
- Memory
- 18.
- On the Backs of Magic Horses
- 19.
- Allies
- 20.
- The Golden Bridle
- 21.
- Enemy at the Gate
- 22.
- The Princess and the Warrior
- 23.
- Faith and Fear
- 24.
- Turnings
- 25.
- The Road Through Darkness
- 26.
- The Golden Horde
- 27.
- Oleg of Ryazan
- 28.
- Pozhar
- 29.
- Between Winter and Spring
- 30.
- The Enemy of My Enemy
- 31.
- All the Russias
- 32.
- Kulikovo
- 33.
- On the Cusp of Winter
- 34.
- Lightbringer
- 35.
- The Starlit Road
- 36.
- The Army of Three
- 37.
- Water of Death, Water of Life
- AUTHOR’S NOTE
- A NOTE ON RUSSIAN NAMES
- FIRST NAMES AND NICKNAMES
- PATRONYMIC
- GLOSSARY
- ACKNOWLEDGMENTS
- BY KATHERINE ARDEN
- FOR CHILDREN
- What’s next on your reading list?

“THE FAIR-HAIRED PRINCE IS no fool,” said the Bear. “But he is young. He has sent a messenger for you. When you go to him, you must convince him to let you give service in the cathedral. Call the people together and pray for rain or salvation or whatever it is men ask of their gods in this age. But call them together.”
Konstantin was alone in the scriptorium of the Archangel, wearing only the lightest of cassocks; sweat dewed his forehead, his upper lip. “I am painting,” he said. He turned a pot of color in the light. His colors lay before him like a string of jewels—some were actually made from precious stones. At Lesnaya Zemlya, he had made his colors from bark and berries and leaves. Now anxious boyars showered him with lapis for his blues and jasper for his reds. They paid the finest silversmiths in Moscow to make icon-covers for him, of hammered silver, studded with pearls.
The third time dead things came whispering through the streets, it had taken the whole night to drive them off: first one, then another, and finally a third. “It cannot seem to be too easy,” the Bear had told him afterward, when Konstantin had wakened screaming from a dream of dead faces. “Do you think the defeat of a single child-upyr would have been enough to win over all Moscow, peasant and boyar? Drink wine, man of God, and do not fear the darkness. Have I not done all I promised?”
“Every last thing,” Konstantin had said miserably, shivering in his cooling sweat. He was to be made bishop. He had been granted property commensurate with his dignity. The people of Moscow worshipped him with wild-eyed fervor. But that did not help him in the night, when he dreamed dead hands, reaching.
Now, in the scriptorium, Konstantin turned away from his wooden panel, found the devil standing just behind him. His breath left him silently. He could never get used to the demon’s presence. The beast knew his thoughts, waked him from nightmares, whispered advice in his ear. Konstantin would never be free of him.
Perhaps I don’t wish to be, Konstantin thought in his more clearheaded moments. Always, when he met the devil’s single eye, the creature stared steadily back.
The beast saw him.
Konstantin had waited to hear the voice of God for so long, but God was silent.
This devil never stopped talking.
Nothing would quiet Konstantin’s nightmares, though. He’d tried drinking mead, to thicken his sleep, but the honey-wine only made his head ache. Finally, in desperation, Konstantin asked the monks for brushes and wooden panels, for oil and water and pigment, and set himself to writing icons. When he painted, his soul seemed to exist only in his eye and hand; his mind went quiet.
“I can see you are painting,” said the Bear, with an edge. “In a monastery, alone. Why? I thought you wanted earthly glories, man of God.”