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Contents ( 90)
  1. PRAISE FOR
  2. The Winter of the Witch
  3. PRAISE FOR
  4. The Girl in the Tower
  5. PRAISE FOR
  6. The Bear and the Nightingale
  7. Contents
  8. 1.
  9. Marya Morevna
  10. 2.
  11. Reckoning
  12. 3.
  13. Nightingale
  14. 4.
  15. The Fate of All Witches
  16. 5.
  17. Temptation
  18. 6.
  19. No Bones, No Flesh
  20. 7.
  21. Monster
  22. 8.
  23. Between the City and Evil
  24. 9.
  25. To Travel by Midnight
  26. 10.
  27. The Devil in the Oven
  28. 11.
  29. Of Mushrooms
  30. 12.
  31. Bargaining
  32. 13.
  33. Baba Yaga
  34. 14.
  35. Vodianoy
  36. 15.
  37. Farther, Stranger Countries
  38. 16.
  39. The Chains of the Winter-King
  40. 17.
  41. Memory
  42. 18.
  43. On the Backs of Magic Horses
  44. 19.
  45. Allies
  46. 20.
  47. The Golden Bridle
  48. 21.
  49. Enemy at the Gate
  50. 22.
  51. The Princess and the Warrior
  52. 23.
  53. Faith and Fear
  54. 24.
  55. Turnings
  56. 25.
  57. The Road Through Darkness
  58. 26.
  59. The Golden Horde
  60. 27.
  61. Oleg of Ryazan
  62. 28.
  63. Pozhar
  64. 29.
  65. Between Winter and Spring
  66. 30.
  67. The Enemy of My Enemy
  68. 31.
  69. All the Russias
  70. 32.
  71. Kulikovo
  72. 33.
  73. On the Cusp of Winter
  74. 34.
  75. Lightbringer
  76. 35.
  77. The Starlit Road
  78. 36.
  79. The Army of Three
  80. 37.
  81. Water of Death, Water of Life
  82. AUTHOR’S NOTE
  83. A NOTE ON RUSSIAN NAMES
  84. FIRST NAMES AND NICKNAMES
  85. PATRONYMIC
  86. GLOSSARY
  87. ACKNOWLEDGMENTS
  88. BY KATHERINE ARDEN
  89. FOR CHILDREN
  90. What’s next on your reading list?

“THE FAIR-HAIRED PRINCE IS no fool,” said the Bear. “But he is young. He has sent a messenger for you. When you go to him, you must convince him to let you give service in the cathedral. Call the people together and pray for rain or salvation or whatever it is men ask of their gods in this age. But call them together.”

Konstantin was alone in the scriptorium of the Archangel, wearing only the lightest of cassocks; sweat dewed his forehead, his upper lip. “I am painting,” he said. He turned a pot of color in the light. His colors lay before him like a string of jewels—some were actually made from precious stones. At Lesnaya Zemlya, he had made his colors from bark and berries and leaves. Now anxious boyars showered him with lapis for his blues and jasper for his reds. They paid the finest silversmiths in Moscow to make icon-covers for him, of hammered silver, studded with pearls.

The third time dead things came whispering through the streets, it had taken the whole night to drive them off: first one, then another, and finally a third. “It cannot seem to be too easy,” the Bear had told him afterward, when Konstantin had wakened screaming from a dream of dead faces. “Do you think the defeat of a single child-upyr would have been enough to win over all Moscow, peasant and boyar? Drink wine, man of God, and do not fear the darkness. Have I not done all I promised?”

“Every last thing,” Konstantin had said miserably, shivering in his cooling sweat. He was to be made bishop. He had been granted property commensurate with his dignity. The people of Moscow worshipped him with wild-eyed fervor. But that did not help him in the night, when he dreamed dead hands, reaching.

Now, in the scriptorium, Konstantin turned away from his wooden panel, found the devil standing just behind him. His breath left him silently. He could never get used to the demon’s presence. The beast knew his thoughts, waked him from nightmares, whispered advice in his ear. Konstantin would never be free of him.

Perhaps I don’t wish to be, Konstantin thought in his more clearheaded moments. Always, when he met the devil’s single eye, the creature stared steadily back.

The beast saw him.

Konstantin had waited to hear the voice of God for so long, but God was silent.

This devil never stopped talking.

Nothing would quiet Konstantin’s nightmares, though. He’d tried drinking mead, to thicken his sleep, but the honey-wine only made his head ache. Finally, in desperation, Konstantin asked the monks for brushes and wooden panels, for oil and water and pigment, and set himself to writing icons. When he painted, his soul seemed to exist only in his eye and hand; his mind went quiet.

“I can see you are painting,” said the Bear, with an edge. “In a monastery, alone. Why? I thought you wanted earthly glories, man of God.”