The court is preparing to go out hawking, the riders mounting, the hawk carts with the rows of hooded hawks rolling out of the mews, the falconers running alongside the carts speaking soothingly to the blind birds, promising them sport and feeding if they will be good birds, be steady and patient now, stand proudly on their perches: don’t bate, don’t flap.

Henry is dressed handsomely in dark green velvet with dark green leather riding boots and green leather gloves. He is trying so hard to look like a king living on his own fortune, comfortable with his court, happy in his kingdom, beloved of his people. Only the new lines around his pinched mouth betray him as a man living with gritted teeth.

We are near the open gate of Woodstock Palace when I hear hooves on the road and turn to see a hard-ridden horse and the rider bowed over his neck urging him on. The yeomen of the guard at once gather before the king and six of them turn and stand in a line before me, and I observe, amazed, that they are shouldering their arms and then grounding their pikes. They have seen a single man riding as fast as he can towards our palace and they are readying for an attack. They actually think that a man might ride up to our court as we prepare to go hawking, and cut down Henry, King of England, where he stands. They actually think that they have to stand between me and any subject of this kingdom. I see their fear and I realize that they know nothing of what it is to be a queen of the House of York.

They hold their pikes firm, in a line of defense, as the man hauls on his reins and his weary horse skids almost to a halt and then walks towards us. “Message for the king,” he says, hoarse with the dust in his throat, as Henry recognizes his messenger, puts a hand on one of his beefeaters’ shoulders, turns him away, and approaches the shivering horse and the exhausted rider.

The man jumps from the saddle, but he is so weary that his legs buckle beneath him and he has to grab on the stirrup leather to keep himself up. He puts a hand inside his jacket and pulls out a battered sealed packet.

“Where from?” Henry asks quietly.

“Cornwall. The very far west of Cornwall.”

Henry nods and turns to the court. “I must stay and read this,” he calls. His voice is determinedly light, the smile he is straining to show them all is a grimace, like a man in pain. “A little business, nothing but a little business must detain me. You go on, I’ll ride after!”

People murmur and mount up, and I gesture to my groom to hold my horse as I stand beside Henry and watch them go by. As the hawk cart goes past us, one of the falconers is tying the leather curtains to keep the birds cool and clean till they get to the fields where the hunt will start; then they will take the hoods off and the hawks will mantle their wings and look about them with bright eyes. One of the lads is running behind, carrying spare jesses and leashes. I glimpse his face when he ducks his head in a bow as he goes past the king: Lambert Simnel, promoted from his place as scullery boy, now a royal falconer, loyal in the king’s service—a pretender who has found happiness.