WESTMINSTER PALACE, LONDON, AUTUMN 1494

Two weeks of celebration follow the creation of Harry as Duke of York, two weeks in which he eats ridiculous food at great banquets, is dressed like a little king, stays up too late until he is dizzy with fatigue, then cries himself to sleep for tiredness to wake in the morning in a state of unbearable excitement to another glorious day.

Even I, critical of the mummery of this ennobling, can see how my boy Harry rises to it and relishes it. He is a most joyously vain boy; there is nothing he likes more than being the center of admiration and the focus of attention and for these days everyone praises his schooling, his strength, and his beauty, and little Harry blushes like the red rose of Lancaster under the excessive admiration.

Arthur, always quieter and more sober than his boisterous brother and noisy sister Margaret, sits beside me during the great church service when Thomas Langton, Bishop of Winchester, assists the archbishop to institute Harry as Duke of York. During the banquet, when Henry lifts Harry onto a table so that everyone can see him, Arthur only says quietly: “I hope he doesn’t sing. He’s been longing to sing for everyone.”

I laugh. “I won’t let him sing,” I assure him. “Though he does have a beautiful voice.”

I break off because Margaret, already wild with jealousy at the attention being paid to her brother, slips down from her chair and pulls at the king’s cape. Horrified, her nursemaid runs after her and curtseys low to the king and begs his pardon. But we are in public, celebrating our power. This is not the king whose heart pounds at the sudden noise of a gun salute, who falls into white-faced rage in a moment; this is Henry as he wants people to see him. This Henry does not mind his children out of their chairs, ill-mannered. This is the Henry who has learned what he must do to appear kingly in public. I taught him myself. He roars with laughter as if he is genuinely amused, and he lifts Margaret up so she stands side by side with her brother and waves at the court. He beckons to Elizabeth’s nursemaid and she holds the baby out so that everyone can see the three children side by side.

“The children of England!” my husband shouts exultantly, and everyone cheers. He throws out a hand for Arthur and me to join them. Reluctantly, Arthur stands up and pulls back my chair so that we can both go to the king where he stands, his arms wrapped around his younger children, and all six of us can take the applause as if we were playactors indeed.

Harry turns to his father and whispers. His father bends down to hear and then claps his hands for attention and everyone falls silent. “My son, the Duke of York, is going to sing!” he announces.