[human voice] [Nyarl]athotep, Great Messenger, bringer of strange joy to Yuggoth through the void, Father of the Million Favoured Ones, Stalker among . . .

[speech cut off by end of record]

Such were the words for which I was to listen when I started the phonograph. It was with a trace of genuine dread and reluctance that I pressed the lever and heard the preliminary scratching of the sapphire point, and I was glad that the first faint, fragmentary words were in a human voice – a mellow, educated voice which seemed vaguely Bostonian in accent, and which was certainly not that of any native of the Vermont hills. As I listened to the tantalisingly feeble rendering, I seemed to find the speech identical with Akeley’s carefully prepared transcript. On it chanted, in that mellow Bostonian voice. . . ‘Ia! Shub-Niggurath! The Goat with a Thousand Young! . . . ’

And then I heard the other voice. To this hour I shudder retrospectively when I think of how it struck me, prepared though I was by Akeley’s accounts. Those to whom I have since described the record profess to find nothing but cheap imposture or madness in it; but could they have the accursed thing itself, or read the bulk of Akeley’s correspondence (especially that terrible and encyclopaedic second letter), I know they would think differently. It is, after all, a tremendous pity that I did not disobey Akeley and play the record for others – a tremendous pity, too, that all of his letters were lost. To me, with my first-hand impression of the actual sounds, and with my knowledge of the background and surrounding circumstances, the voice was a monstrous thing. It swiftly followed the human voice in ritualistic response, but in my imagination it was a morbid echo winging its way across unimaginable abysses from unimaginable outer hells. It is more than two years now since I last ran off that blasphemous waxen cylinder; but at this moment, and at all other moments, I can still hear that feeble, fiendish buzzing as it reached me for the first time.

‘Ia! Shub-Niggurath! The Black Goat of the Woods with a Thousand Young!’

But though the voice is always in my ears, I have not even yet been able to analyse it well enough for a graphic description. It was like the drone of some loathsome, gigantic insect ponderously shaped into the articulate speech of an alien species, and I am perfectly certain that the organs producing it can have no resemblance to the vocal organs of man, or indeed to those of any of the mammalia. There were singularities in timbre, range and overtones, which placed this phenomenon wholly outside the sphere of humanity and earth-life. Its sudden advent that first time almost stunned me, and I heard the rest of the record through in a sort of abstracted daze. When the longer passage of buzzing came, there was a sharp intensification of that feeling of blasphemous infinity, which had struck me during the shorter and earlier passage. At last the record ended abruptly, during an unusually clear speech of the human and Bostonian voice; but I sat stupidly staring long after the machine had automatically stopped.