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Contents ( 2)
  1. The Well of Lost Plots
  2. Jasper Fforde

'—the real world,' I murmured out loud. 'How can she be here, inside fiction? In Caversham Heights of all places?'

'She isn't,' replied Gran. 'Aornis is only in your mind. It isn't all of her, either – simply a mindworm, a sort of mental virus. She is – resourceful, adaptable and spiteful; I know of no one else who can have an independent life within someone else's memory.'

'So how do I get rid of her?'

I have some experience of mnemonomorphs from my youth,' replied Gran, 'but some things you have to defeat on your own. Stay on your toes and we will speak often and at length.'

'Then this isn't over yet?'

'No,' replied Gran sadly, shaking her head, 'I wish it were. Be prepared for a shock, young Thursday – tell me Landen's name in full.'

'Don't be ridiculous!' I scoffed. 'It's Landen Parke—'

I stopped as a cold fear welled up inside my chest. Surely I could remember my own husband's name? But try as I might, I could not. I looked at Gran.

'Yes, I do know,' she replied, 'but I'm not going to tell you. When you remember, you will know you have won.'

5

The Well of Lost Plots

'Footnoterphone: Although the idea of using footnotes as a communication medium was suggested by Dr Faustus as far back as 1622, it wasn't until 1856 that the first practical footnoterphone was demonstrated. By 1895 an experimental version was built into Hard Times, and within the next three years most of Dickens was connected. The system was expanded rapidly, culminating in the first trans-genre trunk line, opened with much fanfare in 1915 between Human Drama and Crime. The network has been expanded and improved ever since, but just recently the advent of mass junkfootnoterphones and the deregulation of news and entertainment channels have almost clogged the system. A mobilefootnoterphone network was introduced in 1985.'

UA OF W CAT – The Jurisfiction Guide to the Creat Library (glossary)

Gran had got up early to make my breakfast and I found her asleep in the armchair with the kettle almost molten on the stove and Pickwick firmly ensnared in her knitting. I made some coffee and cooked myself breakfast despite feeling nauseous. ibb and obb wandered in a little later and told me they had 'slept like dead people' and were so hungry they could 'eat a horse between two mattresses'. They were just tucking in to my breakfast when there was a rap at the door. It was Akrid Snell, one half of the Perkins & Snell series of detective fiction. He was about forty, dressed in a sharp fawn suit with a matching fedora and with a luxuriant red moustache. He was one of Jurisfiction's lawyers and had been appointed to represent me; I was still facing a charge of fiction infraction after I changed the ending of Jane Eyre.

'Hello!' he said. 'Welcome to the BookWorld!'

'Thank you. Are you well?'

'Just dandy!' he replied. 'I got Oedipus off the incest charge. Technicality, of course – he didn't know it was his mother at the time.'