Back The Wedding Dress Maker
Chapters (60)
  1. The Wedding Dress Maker
  2. Also by Leah Fleming
  3. The Wedding Dress Maker
  4. Copyright Page
  5. Dedication
  6. Contents
  7. 1
  8. A Wednesday Afternoon in May 1949
  9. Early on Friday Morning
  10. September 1937
  11. May 1949, Friday
  12. September 1939
  13. May 1949, Friday
  14. Dressing Miss Forsyth, June 1942
  15. May 1949, Friday
  16. 2
  17. Rae, 1944
  18. Summer 1944
  19. May 1949, Friday
  20. August 1944
  21. May 1949, Friday
  22. Ten Days in March 1945
  23. On The Tenth Day, 1945
  24. May 1949, Friday at Noon
  25. Park Royal, Spring 1945
  26. May 1949, Saturday Morning
  27. 3
  28. Snapshots from The Royal, 1945
  29. May 1949, Saturday Morning
  30. Hogmanay, 1945
  31. A Secret Outing
  32. Saturday, Midday on Shap Fell, 1949
  33. 4
  34. February 1946
  35. Nothing To Write Home About, March 1946
  36. Homeward Bound, July 1946
  37. Saturday Afternoon in Kendal, 1949
  38. 5
  39. In the Winter of 1947
  40. The Texas Rangers, Autumn 1947
  41. Spring 1948
  42. Saturday Teatime in Kendal, 1949
  43. 6
  44. Dancing on the Green, Summer 1948
  45. Showdown
  46. Christmas 1948
  47. Window Shopping in Kendal, May 1949
  48. 7
  49. Into 1949
  50. Forks in the Path, March 1949
  51. Late Afternoon in Kendal, May 1949
  52. 8
  53. The Same Saturday Afternoon at Brigg Farm
  54. Staying On, June 1949
  55. 9
  56. Back to Griseley, June 1949
  57. On Carrick Sands, September 1949
  58. Acknowledgements
  59. Author the Author
  60. An Invitation from the Publisher

Her mind was moving out from the cocoon of her room in Denny House, out from occupational therapy and shock treatment – dreadful though that had been to endure – out once more to the world beyond the hospital. Yet inside throbbed such a loneliness, a yearning to be with her baby, that it tore away her careful composure, reducing her to floods of stifled weeping which she was desperate to disguise. If she showed her weakness when would she ever be sent home? Would she always be stuck with a label with ‘mental’ written on it?

The drugs trolley still came round regularly and the patients were dosed like children. On the days when Netta was given the latest shock treatment, she soon learned there was no breakfast and waited with dread to be wheeled down the long corridors, looking up at the fine scrolled ceiling until the last moment, trying to avoid seeing the table with the straps and black box on the trolley. She was laid flat, numb with terror, as out of the corners came those dark mysterious figures holding equipment, looming over her. Then there was nothing, for days afterwards just headaches and blanks. Now the fug in her head was clearing and the taste in her mouth fading. Her course of treatment was complete.

As she sat by herself, sketching the outline of the tall church tower, her fingers clutched the charcoal tensely at first and then, as she relaxed, her hand flowed over the page filling all that her eyes could see. Not bad! she thought to herself, and to her surprise noticed that the usual black morning cloud which always floated above her head had lifted like a balloon set free. Her feet were no longer so full of lead and fresh air was stinging her cheeks. One of the young officers in the art class was leaning on the wall, dragging on his cigarette, watching her. She sensed his shadow falling over her sketch and fakes of ash wafted down on to the paper.

‘Not bad,’ whispered a deep voice in her ear. ‘Now who was it said a church is best viewed from the outside, a public house from the inside, and a mountain from the foot? I wish I could draw like that.’ Netta looked up at a shock of sandy hair, caught a whiff of tobacco breath. The voice was Scottish pan loaf, softened round the edges by years away from its native source. His uniform was smart enough but his shirt was undone and his trousers unpressed. Here was a washed out young officer eyeing her efforts like a judge at an art show. ‘Not one for God-bothering myself but that’s a fair attempt. Bit of a student, are we?’

‘No, this is my first attempt for years. Can you get out of my light? Thank you. It’s bad enough putting pen to paper without having an audience.’