Back The Wedding Dress Maker
Chapters (60)
  1. The Wedding Dress Maker
  2. Also by Leah Fleming
  3. The Wedding Dress Maker
  4. Copyright Page
  5. Dedication
  6. Contents
  7. 1
  8. A Wednesday Afternoon in May 1949
  9. Early on Friday Morning
  10. September 1937
  11. May 1949, Friday
  12. September 1939
  13. May 1949, Friday
  14. Dressing Miss Forsyth, June 1942
  15. May 1949, Friday
  16. 2
  17. Rae, 1944
  18. Summer 1944
  19. May 1949, Friday
  20. August 1944
  21. May 1949, Friday
  22. Ten Days in March 1945
  23. On The Tenth Day, 1945
  24. May 1949, Friday at Noon
  25. Park Royal, Spring 1945
  26. May 1949, Saturday Morning
  27. 3
  28. Snapshots from The Royal, 1945
  29. May 1949, Saturday Morning
  30. Hogmanay, 1945
  31. A Secret Outing
  32. Saturday, Midday on Shap Fell, 1949
  33. 4
  34. February 1946
  35. Nothing To Write Home About, March 1946
  36. Homeward Bound, July 1946
  37. Saturday Afternoon in Kendal, 1949
  38. 5
  39. In the Winter of 1947
  40. The Texas Rangers, Autumn 1947
  41. Spring 1948
  42. Saturday Teatime in Kendal, 1949
  43. 6
  44. Dancing on the Green, Summer 1948
  45. Showdown
  46. Christmas 1948
  47. Window Shopping in Kendal, May 1949
  48. 7
  49. Into 1949
  50. Forks in the Path, March 1949
  51. Late Afternoon in Kendal, May 1949
  52. 8
  53. The Same Saturday Afternoon at Brigg Farm
  54. Staying On, June 1949
  55. 9
  56. Back to Griseley, June 1949
  57. On Carrick Sands, September 1949
  58. Acknowledgements
  59. Author the Author
  60. An Invitation from the Publisher

‘I don’t dance. I’ve never danced… totally useless. In fact I don’t know my left foot from my right. I was afraid I’d flatten your toes. So were you sulking that I didn’t dance with the prettiest girl in the room?’

He was teasing her and she had to smile. Why was it she could say anything she liked to this stranger? Why was it that she felt he’d been sitting on this beach all her life, like Dougie and all the other lads from Stratharvar? Yet why was it when she looked into that dark stubbly face, at those grinning eyes and that mop of hair, she couldn’t breathe for the thudding in her heart? This was something strange and new, something she had never experienced before. Why did it feel like an ache inside her, it was so strong? It was easy to plonk herself down and talk about her dreams of designing dresses when this drab war was over and colour would flood back into life again.

He sketched the outline of her face as she gabbled on. Then he told her about his own life in Glasgow College of Art and the travel scholarship that he had sacrificed to do his army service. He had no family left, and the wealthy aunt who had reared him in the Borders had sent him away to England to sharpen his manners and get this artistic nonsense out of his head. It hadn’t worked, of course. How could a boy who had been named after his distinguished forebear, Sir Henry Raeburn, the famous portrait painter, not fulfil his instinct to capture the world on canvas? He had built up a portfolio that got him his place at the famous College of Art but the war had intervened and now he must wait for its end to continue his studies.

‘We have to set the heather on fire, Miss Nichol. Make our mark however small… leave something more than footprints in the sand or it’s all a waste of time. I’m not one for life after death. You saw me in the kirk today but that was out of politeness to my kind hosts – and I knew somehow you’d be there. So if you want a carpet slippers sort of suitor, Miss Nichol, I’m no the man for you!’ He peered at her intently and she felt a stabbing feeling deep in her stomach.

‘Who says I’m wanting any suitor? I’ve my own plans too. I want to train up with the best dressmakers, have my own business and set my own footprints one day.’