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Chapters (60)
  1. The Wedding Dress Maker
  2. Also by Leah Fleming
  3. The Wedding Dress Maker
  4. Copyright Page
  5. Dedication
  6. Contents
  7. 1
  8. A Wednesday Afternoon in May 1949
  9. Early on Friday Morning
  10. September 1937
  11. May 1949, Friday
  12. September 1939
  13. May 1949, Friday
  14. Dressing Miss Forsyth, June 1942
  15. May 1949, Friday
  16. 2
  17. Rae, 1944
  18. Summer 1944
  19. May 1949, Friday
  20. August 1944
  21. May 1949, Friday
  22. Ten Days in March 1945
  23. On The Tenth Day, 1945
  24. May 1949, Friday at Noon
  25. Park Royal, Spring 1945
  26. May 1949, Saturday Morning
  27. 3
  28. Snapshots from The Royal, 1945
  29. May 1949, Saturday Morning
  30. Hogmanay, 1945
  31. A Secret Outing
  32. Saturday, Midday on Shap Fell, 1949
  33. 4
  34. February 1946
  35. Nothing To Write Home About, March 1946
  36. Homeward Bound, July 1946
  37. Saturday Afternoon in Kendal, 1949
  38. 5
  39. In the Winter of 1947
  40. The Texas Rangers, Autumn 1947
  41. Spring 1948
  42. Saturday Teatime in Kendal, 1949
  43. 6
  44. Dancing on the Green, Summer 1948
  45. Showdown
  46. Christmas 1948
  47. Window Shopping in Kendal, May 1949
  48. 7
  49. Into 1949
  50. Forks in the Path, March 1949
  51. Late Afternoon in Kendal, May 1949
  52. 8
  53. The Same Saturday Afternoon at Brigg Farm
  54. Staying On, June 1949
  55. 9
  56. Back to Griseley, June 1949
  57. On Carrick Sands, September 1949
  58. Acknowledgements
  59. Author the Author
  60. An Invitation from the Publisher

Netta was banished to the cubby hole at the back of the shop; a tiny workroom with a bench and machine, just a few shelves and a sink. She was expected to make tea for customers as they browsed through the latest collection of summer wear. She was also expected to prepare dresses for the part-time mannequin, well past the full flush of youth, to parade before the customers who could not be expected to disrobe themselves for fear of catching a chill. Their measurements were kept discreetly in a cardboard box and occasionally they submitted themselves to the tape measure for a renewal of the sad statistics.

‘We specialise in portly fittings,’ said Miss Venables as she sifted through the files, chucking the unfortunates who had not made it through the harsh winter into the bin. ‘Yorkshire ladies all like their puddings and it shows.’

When the bell rang, Netta made her discreet entrance through the plush curtain in a dove grey overall, an exact match to the carpet, pins on her chest lined up like medals, tape around her neck like a stethoscope, to grovel silently at the feet of the client while Maybelle talked them through possible alterations and Netta adjusted seams, tucks and length swiftly, trying not to put cold fingers on their delicate flesh.

How bare and vulnerable these bodies all looked in the harsh mirror and some smelled as if they had not had a wash for weeks. Some of the richest women did not care how they were dressed but flung on several dresses and then flung them off again on the floor for their poodles to trample on. These were not the women she wanted to make dresses for, they were old and tired and corseted into unnatural shapes. She longed for young flesh and bright colours, stylish modern cuts in glamorous fabrics. How dowdy were the rails of colours, maroons and dark blues, black and every shade of mud: dull as dishwater colours on plain women, all reflecting the taste of Miss Venables and ‘Our father who has gone before’.

Then there were the tweed brigades who lived in draughty barns out in the country. They wanted serviceable and sensible and more sludgy country colours. Some were young enough to smarten up and Netta hoped their evening wear would be brighter and more alluring, but even Maison Dorelle could not get everything they ordered from the tired-looking trade reps who called hopefully each season. A quota of Utility designs seemed be the best value but their bridal wear turned out to be skimpy and plain beer. No wonder customers went elsewhere for their evening wear.