Chapters (53)
- Title Page
- Copyright Page
- Dedication
- Contents
- Map
- PRLOGUE ASAMOTO TENNO
- YOUNG SAMURAI THE WAY OF THE WARRIOR 1: FIREBALL
- 2: RIGGING MONKEY
- 3: DEVIL AND THE DEEP BLUE SEA
- 4: LAND OF THE RISING SUN
- 5: SHADOS IN THE NIGHT
- 6: FEVER
- 7: SAMURAI
- 8: OFURO
- 9: KIMONOS AND CHOPSTICKS
- 10: ABUNAI!
- 11: SENCHA
- 12: THE DUEL
- 13: FATHER LUCIUS
- 14: THE SUMMONS
- 15: YAMATO
- 16: THE BOKKEN
- 17: GAIJIN
- 18: BEST OUT OF THREE
- 19: MASAMATO’S RETURN
- 20: AKIKO
- 21: NITEN ICHI RYŪ
- 22: THE TOKAIDO ROAD
- 23: BUTOKUDEN
- 24: SENSEI
- 25: THE SHINING ONE
- 26: DEFEATING THE SWORD
- 27: A REASON TO TRAIN
- 28: THE DARUMA DOLL
- 29: SENSEI KYUZO
- 30: TARGET PRACTICE
- 31: KAZUKI’S WAR
- 32: HANAMI PARTY
- 33: THE TARYU JIAI
- 34: YAMADA’S SECRET
- 35: THE SWITCH
- 36: THE DEMON AND THE BUTTERFLY
- 37: THE JADE SWORD
- 38: THE SOUND OF FEATHERS WATERFALL
- 39: THE APOLOGY
- 40: STAYING THE PATH
- 41: GION MATSURI
- 42: DOKUGAN RYU
- 43: KENDO — THE WAY OF THE SWORD
- NOTES ON THE SOURCES
- ACKNOWLEDGEMENTS
- NOTES ON THE JAPANESE LANGUAGE
- Cover
‘To begin with, please watch closely, so that you can copy my movements,’ said Sensei Yosa, stepping up to the mark. ‘The first principle in kyujutsu is that the spirit, bow and body are as one.’
Sensei Yosa lined herself up, side on to the target, and settled herself into a wide stance, so that she formed an A-shape with her body.
‘The second principle is balance. Balance is the foundation stone to kyujutsu. Picture yourself as a tree. Your lower half is the trunk and roots, stable and solid. Your upper body forms the branches, flexible yet retaining their form and function. This balance is what will make you a great kyudoka!’
Sensei Yosa held her bowstring with her right hand, then positioned her left carefully on the bow’s grip. She raised the bow, which was taller than she was, above her head and prepared to draw.
‘There is a constant struggle between the mind and body to control the flow of the draw. To strike a target with any degree of precision, absolute focus is required. This is the third principle. The slightest imbalance, a wrong breath, any loss of concentration will result in a miss.’
Sensei Yosa brought the bow down, drawing the string past her cheekbone and the arrow in line with her eye, so that her ruby-red scar was framed between them.
‘When your spirit and balance are correct, the arrow will strike its target. To give yourself completely to the Way of the Bow is your spiritual goal.’
Sensei Yosa completed the draw in a single fluid movement, the arrow soared through the air and once again struck the centre of the target.
‘Who would like to have a go first?’ asked Sensei Yosa.
Akiko’s hand shot straight up. Emi, seeing an opportunity to outshine Akiko again, raised her hand too.
‘Well, let us begin with you two. Please use these two bows. They should be of a suitable size and draw strength,’ said Sensei Yosa, indicating the lower part of a rack behind her.
‘Good luck,’ said Kiku genially to Emi as the girl rose to take up her position.
‘Luck is for the inept,’ she said, dismissing Kiku as if she were some minion, and strode up to the mark.
‘Ladies, I would like you to draw the bow as I demonstrated, but do not release until I say so.’
They both raised their weapons and drew back, framing themselves within the curve of their bows. Standing beside Akiko, Emi was noticeably taller, her slender figure accentuated by unusually long, arrow-straight hair. Her face had a sharp beauty, highlighted by a pinprick of a mouth. In all, Jack thought, she mirrored her family kamon, the crane – tall, slim and elegant.
‘Good. You both show acceptable form. You may shoot in your own time; aim at the nearest target,’ she said, pointing to one only ten or so paces away.