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Chapters (53)
  1. Title Page
  2. Copyright Page
  3. Dedication
  4. Contents
  5. Map
  6. PRLOGUE ASAMOTO TENNO
  7. YOUNG SAMURAI THE WAY OF THE WARRIOR 1: FIREBALL
  8. 2: RIGGING MONKEY
  9. 3: DEVIL AND THE DEEP BLUE SEA
  10. 4: LAND OF THE RISING SUN
  11. 5: SHADOS IN THE NIGHT
  12. 6: FEVER
  13. 7: SAMURAI
  14. 8: OFURO
  15. 9: KIMONOS AND CHOPSTICKS
  16. 10: ABUNAI!
  17. 11: SENCHA
  18. 12: THE DUEL
  19. 13: FATHER LUCIUS
  20. 14: THE SUMMONS
  21. 15: YAMATO
  22. 16: THE BOKKEN
  23. 17: GAIJIN
  24. 18: BEST OUT OF THREE
  25. 19: MASAMATO’S RETURN
  26. 20: AKIKO
  27. 21: NITEN ICHI RYŪ
  28. 22: THE TOKAIDO ROAD
  29. 23: BUTOKUDEN
  30. 24: SENSEI
  31. 25: THE SHINING ONE
  32. 26: DEFEATING THE SWORD
  33. 27: A REASON TO TRAIN
  34. 28: THE DARUMA DOLL
  35. 29: SENSEI KYUZO
  36. 30: TARGET PRACTICE
  37. 31: KAZUKI’S WAR
  38. 32: HANAMI PARTY
  39. 33: THE TARYU JIAI
  40. 34: YAMADA’S SECRET
  41. 35: THE SWITCH
  42. 36: THE DEMON AND THE BUTTERFLY
  43. 37: THE JADE SWORD
  44. 38: THE SOUND OF FEATHERS WATERFALL
  45. 39: THE APOLOGY
  46. 40: STAYING THE PATH
  47. 41: GION MATSURI
  48. 42: DOKUGAN RYU
  49. 43: KENDO — THE WAY OF THE SWORD
  50. NOTES ON THE SOURCES
  51. ACKNOWLEDGEMENTS
  52. NOTES ON THE JAPANESE LANGUAGE
  53. Cover

‘Don’t they teach you how to fight where you come from? You hold it like a girl,’ admonished Yamato. ‘Pick it up. Don’t grip with your thumb and forefinger next time. That is weak, your hold can be broken easily. Look at mine. Place the little finger of your left hand round the base of the handle. Then wrap the rest of your fingers round the remainder of the hilt. The bottom two fingers should be tight. Your right hand should be just below the guard, and grip it in the same manner as your left. This is correct tenouchi.’

Yamato was enjoying the spectacle he was making of Jack in front of Akiko and Jiro. He obviously relished the feeling of superiority it gave him, so much so that he failed to notice Akiko’s mortified reaction to his behaviour.

No matter, thought Jack. He would soon learn how to use the bokken and then he could teach Yamato a lesson or two.

Once Jack had mastered the grip, Yamato repeated the attack. This time Jack kept hold of the bokken.

‘Good. Now you try.’

Jack found the movement of the strike awkward at first. It was difficult to get enough force behind the parry, but Yamato made him repeat the movement again and again until the technique began to flow.

They practised through the afternoon, Yamato teaching Jack three other kihon moves: a basic cut, an evasive manoeuvre and a simple defensive block. The kata training was surprisingly hard work and after a while Jack began to tire. Having done little physical exercise since his time on-board ship, the bokken was beginning to feel like lead in his hands. Yamato was clearly pleased to see Jack flagging.

‘Want to try some randori now?’ challenged Yamato.

‘What’s that?’ said Jack, out of breath.

‘Free-sparring. Best out of three?’

‘Excuse me, Yamato,’ interrupted Akiko, hoping to avert the trouble she foresaw coming. ‘May I suggest that you both join me for sencha? You have practised much and should rest.’

‘No, thank you, Akiko. I’m not thirsty. But Jack looks like he could do with a rest.’

Jack knew Yamato was trying to break him. Jack recognized this moment from his time on-board the Alexandria. The men who had not stood up for themselves the first week were the ones last in line for food, the ones shoved to the hammocks nearest the bilge, the ones lumbered with the worst duties, like scrubbing the scuppers where the crew relieved themselves. Jack had to prove he was not someone who could easily be beaten. If he backed down now, he would forever be trying to regain his ground

‘No, thank you, Akiko. I’m not tired.’

‘But your arm?’ she insisted. ‘It is not wise to –’

‘I’ll be fine,’ said Jack, politely cutting her off before turning back to Yamato. ‘Randori, eh? Best out of three. Why not?’

They faced off, kissaki touching.